Issue

ZHOU XIAOHU, Utopian Machine, 2002. Animation video. Courtesy Ethan Cohen Fine Arts.

Zhou Xiaohu

Portrait of RANBIR KALEKA. Photo by Hemant Sareen for ArtAsiaPacific.

Ranbir Kaleka

SHI QING and WANG-WEI interpret Colin Chinnery's instructions for an artwork on day two, October 19, 2005. Photo by Richard Baker. Courtesy Hartnett Gallery, University of Roch

The Complete Art Experience Project

ON/MEGUMI AKIYOSHI, Southern Belle from Dress the Dress, 2005. Mixed media. 15

Red Beans & Rice

JIN-ME YOON, Unbidden, 2004. Video still. Courtesy Oakville Galleries, Ontario, Canada.

Jin-me Yoon

RYOKO AOKI, Detail of Cross Sight Puzzle, 2003. Suite of 66 drawings. Mixed media Courtesy Kodama Gallery, Osaka/Tokyo.

Ryoko Aoki

GUO JIN, Front of Stage No. 7, 2005. Oil on canvas, 47.5

Guo Jin

Film still from Seven Swords. Courtesy Mandarin Films Distribution Co., Ltd.

Tsui Hark is Terrified of Boredom

Cover image (opposite): KURT BRERETON, Love at First Sight, 2005. Digitally enhanced photograph. Courtesy Kurt Brereton.

The Occidental Tourist

LI SONGSONG, The Square, 2001, Oil on canvas, 180 x 320 cm. Courtesy Modern Chinese Art Foundation and Galerie Urs Meile, Switzerland.

Li Songsong

Photographed by Park Nam-Kyu for ArtAsiaPacific.

Bae Bien-U

All images from The Moving Drawing: The Line that Crosses America, Photo by Andrew Maerkle for ArtAsiaPacific and Fitz&Co. Courtesy the artist.

Jheon Soocheon: On Board the Moving Train

Untitled (The Warrirors), 1998, vinyl on drumheads with junior drum kit, dimensions variable. Courtesy the artist; Sue Crockford Gallery, Auckland and Kaliman Gallery, Sydney. Phot

Julian Dashper: At Odds

CHEN CHIEH-JEN, Lingchi: echoes of a historical photograph, 2002. Single-channel video projection installation at Artspace, Auckland. Dimensions variable. Courtesy Artspace.

Auckland: Slow Rushes for Auckland