Issue

HIROKO KIKUCHI, Performing Ono's Cut Piece, 1964, Ise Cultural Foundation Gallery, New York City, April 24, 2004, Photo courtesy Jeremy Chi-Ming Liu

"Grapefruit: Yoko Ono in 1964"

TAKASHI SAITO, Salmon Head Note 1, 1993, Sumi ink on Japanese paper, 22

Takashi Saito

Do-Ho Suh in his London studio in September. Photographs by Carlotta Cardana for ArtAsiaPacific.

Do-Ho Suh

JEAN SHIN, Hide (Series 1 to 13), 2004, Cut leather and suede (shoes), thread and shoelaces, Dimensions variable.

Jean Shin

CHIHO AOSHIMA, Untitled, 2004, Ink jet print on paper, Dimensions variable.

"Tokyo Girls Bravo"

JUNGWOOK GRACE RIM, The Entrance to a River, 2002, Ink, Acrylic & oil on canvas, 72” x 62”.

Jungwook Grace Rim

The Layers of Dialogue

The Layers of Dialogue

ON KAWARA, Reading One Million Years in Trafalgar Square, London, March 29 - April 5, 2004. Courtesy South London Gallery and David Zwirner Gallery, New York. Photograph Marcus Lei

One Million Years at Trafalgar Square: On Kawara

VIRGINIA RYAN , Pot of Gold (2004), gold painted organic and non-organic material from Ghana, West Africa. Park Hotel des Bains, Venice.

OPENASIA 2004: A Notion of Asia

ZAO WOU KI, 21-7-72, 1972, 65 x 92 cm. Oil on canvas. Courtesy of Lin Keng Gallery.

Contemporary Asian Art Fair

JIAN-JUN ZHANG, Sumi-Ink Garden of Re-Creation (Preparatory Sketch, 2002). Courtesy Art Projects International.

Art Projects International: Ten Years

ALEKSANDRA MIR , Naming Tokyo (Part II), 2003. Courtesy Swiss Institute, New York.

Aleksandra Mir: Naming Tokyo

HYUNGKOO LEE, Altering Facial Features With Devices - H5 (9.003), color photograph. 127 x 150 cm. Courtesy of the artist.

Hyungkoo Lee: The Man Behind the Helmets

HISASHI TENMYOUYA, Untitled, 2003, acrylic on gold leaf mounted on wood. Courtesy of Mizuma Art Gallery

Forging New Talent: Mizuma Gallery Leads the Way in Tokyo