Issue

GEN'ICHIRO INOKUMA, Untitled, 1968, watercolor, ink and pencil on board, 6.5

New York: Gen'ichiro Inokuma

Pushpamala N., Sunhere Sapne (Golden Dreams), 1998, hand-painted black-and-white photographs Set of ten images in five versions, 7” x 9

New York: Pushpamala N.

DODO JIN MING, Free Element, Plate XXXI, 2002, gelatin silver print, 16

New York: DoDo Jin Ming

ATSUKO TANAKA, Electric Dress, 1956/1986 (reconstruction), enamel paint on light bulbs, electric cords, and control console, 165 x 80 x 80 cm. Courtesy Takamatsu City Museum of Art

New York: Atsuko Tanaka, 1954-1968

JIAN-JUN ZHANG, Time Chapter: Hongcun Village Southern Anhui Province, China, 2004, oil paint on photograph, 39.25

New York: Time Chapter

Published by Trolley Limited, London, 2003, distributed in the US by D.A.P., Distributed Art Publishers, Inc., New York.

BOOK REVIEW: Reflex

RAJKAMAL KAHLON, It All Started With Someone's Lie I, 2004, gouache on 19th-century bookpages (Cassell's illustrated history of India, c. 1875), 30 x 21 inches. Courtesy the artist

PROJECTS IN THE MAKING: Deconstruction Time

State of the Art: Social Studies

HIROSHI SUGIMOTO, Onduloid: a surface era revolution with constant non-zero mean curvature, 2004. Gelatin silver print. 59

Reviews: Hiroshi Sugimoto

QUESTIONNAIRE: Pinaree Sanpitak

Questionnaire: Sudarshan Shetty

BOBBY YU SHUK PUI, Genetic Salon – Waiting Room, 2021, still from video: 17 min 25 sec. Courtesy the artist.

NEW CURRENTS

QUESTIONNAIRE: MAP Office

QUESTIONNAIRE: Jompet Kuswidananto