Issue

WU MALI, Follow the Dreamboat, 2004, paper, fishing line and wood.

Michael Lin and Wu Mali: Spaces Within

GOGHWEN LEE, Trapped, 2004, 72

Santa Monica: Goghwen Lee

HEE OUK KIM, Yihaoqiao, MAL 8908, 2002, mixed media, 37.5

Los Angeles: Hee Ouk Kim

JITISH KALLAT, Covering Letter 2, 2004, mixed media on canvas, stainless steel frames 74

Chicago: Jitish Kallat

WENDA GU, United Nations Temple of Exoticisms, 1998-2004, mixed media installation with hair panels.

Ann Arbor: Regeneration

ME DEAN-E, Don't Rush, Be Patient, 1998, Banner constructed of beads, 410 x 1286 cm, Kaohsiung Museum of Fine Arts. Photo: Julie Magura/ Johnson Museum.

Ithaca: Contemporary Taiwanese Art in the Era of Contention

XIAOZE XIE, March-April 2003, L.T., 2003, oil on canvas, 60

New York: Xiaoze Xie

GEN'ICHIRO INOKUMA, Untitled, 1968, watercolor, ink and pencil on board, 6.5

New York: Gen'ichiro Inokuma

Pushpamala N., Sunhere Sapne (Golden Dreams), 1998, hand-painted black-and-white photographs Set of ten images in five versions, 7” x 9

New York: Pushpamala N.

DODO JIN MING, Free Element, Plate XXXI, 2002, gelatin silver print, 16

New York: DoDo Jin Ming

ATSUKO TANAKA, Electric Dress, 1956/1986 (reconstruction), enamel paint on light bulbs, electric cords, and control console, 165 x 80 x 80 cm. Courtesy Takamatsu City Museum of Art

New York: Atsuko Tanaka, 1954-1968

JIAN-JUN ZHANG, Time Chapter: Hongcun Village Southern Anhui Province, China, 2004, oil paint on photograph, 39.25

New York: Time Chapter

Published by Trolley Limited, London, 2003, distributed in the US by D.A.P., Distributed Art Publishers, Inc., New York.

BOOK REVIEW: Reflex

RAJKAMAL KAHLON, It All Started With Someone's Lie I, 2004, gouache on 19th-century bookpages (Cassell's illustrated history of India, c. 1875), 30 x 21 inches. Courtesy the artist

PROJECTS IN THE MAKING: Deconstruction Time