Issue

Semsar Siahaan, 1952 - 2005

Long Hair being

Long Hair, Hong Kong and the Theater of the Absurd

NOH SANG-KYUN, For the Worshippers, 2000, mixed media, 95 x 303 x 65 cm. Noh participated in the 1999 Korean Pavilion with Lee Bul.

Double Vision at a Jam-Packed Korean Pavilion

HE YUNCHANG, Untitled, 2004, performance. Courtesy the artist.

A Match Made in Shanghai

HAYAO MIYAZAKI, Porco Rosso, 1992. © 1992 Nibariki.

MOMA Wild for "Anime!!"

BITA FAYAAZI, Crows, 1998, sculptural installation. Courtesy the artist.

West and Center: An Asian Presence at 51st Venice Biennale

LIU HONG YUAN, Untitled, 2004, mixed media, 74 x 51.5 cm. Courtesy Schoeni Art Gallery, Hong Kong.

Painting Against the Grain

ARAYA RASDJARMREARNSOOK, Detail of Reading for Corpses, 2002, video installation. Courtesy the artist.

Death in Venice: Montien and Araya

XU ZHEN, Conceptual rendering of Shout, 2005, DVD players, projectors and audio system, dimensions variable. Courtesy China Pavilion, Venice Biennale, 2005.

No Introductions Necessary

Alter #1 (Unrealized), 1999-2003, United Overseas Bank (Singapore). Proposal. First proposed in 1999, to shift the sculpture by Salvador Dali, Homage to Newton, one meter from it p

The Ridiculous and the Sublime

Mother's #42, 2001, Silver gelatin print. Courtesy Sepia International.

All About My Mother

Killing Time (detail), 2003 - 2004, laminated Jelutong and maple, 108 x 184 x 118 cm. Purchased with funds provided by the Rudy Komon Memorial Fund and the Contemporary Collection

Killing Time

RANBIR KALEKA, Crossings, 2005, video still from multimedia installation. Photo by Abbas Khan.

India: A Long Time Coming

All images: The Fundamental Practice, 2005, installation work. Courtesy the artists.

Some Assembly Required et al.