Issue

Vernon Ah Kee. Photo by Nadine Saacks. Courtesy Art Gallery of New South Wales, Sydney.

Vernon Ah Kee: everyday iachievesomething

MING WONG, In Love For the Mood, 2009, production still by Melanie Choi. Courtesy the artist.

Singapore & Thailand Pavilions: Cinema Paradiso

TO SHARE A WATERMELON WITH AN UNKNOWN PERSON, 2005, photo documentation of performance.

Pak Sheung Chuen: The Art of Covert Intervention

Gonkar Gyatso. Photo by Steve Forrest for ArtAsiaPacific.

Gonkar Gyatso: Contours of Identity

Interior view of Bangkok Art and Culture Centre, Bangkok.CHUSAK SRIKWAN, Shadow, 2007, shadow puppets, dimensions variable.CHATCHAI PUIPIA, Siamese Smile, 1995, oil on canvas, 240

Bangkok: Traces of Siamese Smile

Installation view of “Second Last Second Chance” exhibition at Uplands Gallery, Melbourne, 2009.

Melbourne: A Constructed World

SU-MEI TSE, Nested (#3), 2016, Chinese scholar stone and mineral balls, 30 x 33 x 26 cm. Courtesy Art Front Gallery, Tokyo.

Tokyo: Su-Mei Tse

SUN YUAN & PENG YU, Occasional Awakeness, 2008, mixed-media installation, dimensions variable.

Beijing: Shooting

Beijing & Shenzhen: Zhang Peili

KANISHKA RAJA, Cruise (Green Stripes), 2008, oil on canvas, 152 x 213 cm.

Mumbai: Kanishka Raja

NONA GARCIA, Skeleton at the Feast, 2009, oil on canvas, 183 x 244 cm.

Milan: Southeast B(l)ooming

AISHA KHALID, Gul-e-lalah, 2004, watercolor on wasli, 53.2 x 40.9 cm.

London: Aisha Khalid

Installation view of “Shahzia Sikander: Intimate Ambivalence” at Ikon Gallery, Birmingham, 2008.

Birmingham: Shahzia Sikander

JACKIE SALLOUM, AH-64 Boeing LongBow Apache and Caterrorpillar, 2002, mixed media, 8.3 x 9.3 in each.

New York: Sedition