Issue

CINDY SHERMAN, Untitled Film Still, 1978, black and white photograph, 8

The Point: (Edition) Size Matters?

Hot Spot: Cambodia's First Visual Arts Open

LIM TZAY CHUEN, I Wanted To Bring Mike Over, 2005, installation view. Courtesy Singapore Pavilion, 2005 Biennale di Venezia.

Hot Spot: Funding for Independent Art in Singapore

Dr. Frank L. Ellsworth, president, Japan Society. Photo by Ken Levinson.

One on One: Shock of the New

PHILLIP GEORGE, The Affliction of the Protestant, 2004, C-print, 90 x 120 cm.

Phillip George: Night Vision and the Post-Oriental

Prototype for a Mobile Exhibition space by Johannes Wohnseifer (AIT artist in residence, 2004) showing at Hara Museum Tokyo (2005).

The Big Picture: Curation on the Move

TONY WHINCUP, Canoe Building, 2004, photograph, 1000 x 800 mm. All images courtesy the artist.

Canoe Culture

BRUCE MAU and INSTITUTE WITHOUT BOUNDARIES, Wealth and Politics Economies, 2005, installation, silver mylar, vinyl, paint. Courtesy Vancouver Art Gallery.

The Big Picture: Bruce Mau and Institute Without Borders: Design Will Set Us Free

Tyeb Mehta. Photo by Nobi Kashiwagi for Art AsiaPacific.

Framing Tyeb Mehta

YANG QIAN, Female with Bead, 2005, oil on canvas, 200 x 180 cm. Courtesy China Guardian Auction House.

Biggest on the Block: Contemproary Chinese Oil Painting at China Guardian

Vermeer Study: A Great Story out of the Corner of a Small Room, 2004, photograph on canvas, 145 x 125 cm. Courtesy MEM, Osaka.

Morimura Yasumasa: Out of the Corner of a Small Room, Painting Develops

Garden of Earthly Delights X, 2004, mixed media on board, triptych, 8' x 15' (in three panels each 8' x 5'). Courtesy Deitch Projects and Victoria Miro Gallery.

Raqib Shaw: In the Garden of Eden

CI KIM — KIM CHANG-IL, Chariman of Arario Gallery, stands in his studio in front of his work.Photo by Iris Moon, Coutesy of Arario Gallery

Arario Gallery: Beijing or Bust

IDEAS ON A NAPKIN: Anna Sew Hoy