Issue

LIANG JUHUI, One Hour Game, 1996, still from video: 14 min 19 sec. Courtesy Times Museum, Guangzhou.

Guangzhou: Operation PRD - Big Tail Elephants: One Hour, No Room, Five Shows

STEPHANIE BURT, O Dear What Can the Matter Be, 2016, wallpaper, paint, metal poles, thread, wire, wood, paper, nails, needle, lace, leather, fluorescent light, cloth, fence, ribbon

Singapore: O Dear What Can the Matter Be

APICHATPONG WEERASETHAKUL, Sakda (Rousseau), 2012 Still from single-channel video: 6 min. Courtesy Para Site, Hong Kong.

Chiang Mai: Apichatpong Weerasethakul

CHRISTTO SANZ and ANDREW WEIR, A Portal to Another Dimension, 2016, mixed media, dimensions variable. Courtesy the artists and Qatar Museums Authority, Doha.

Doha: Artists in Residence 2015/2016

SHAHZIA SIKANDER, Portrait of the Artist, 2016, etchings and colophon text by Ayad Akhtar, suite of 4: 68.6 x 53.3 cm each. Courtesy the artist.

Rome: Shahzia Sikander

MONA HATOUM, Light Sentence, 1992, galvanized wire mesh lockers, electric motor and light bulb, 198 x 185 x 490 cm. Copyright the artist. Photo by Philippe Migeat. Courtesy Centre

London: Mona Hatoum

ZHANG PEILI, Continuous Reproduction , 1993, gelatin silver prints, set of 25: 28.6 x 24.1 cm each. Courtesy Asia Society, New York.

New York: Zhang Peili

CHUNG SEOYOUNG, Ghost Will Be Better, 2000–05, linoleum, paint, and wood, 400 x 180 x 50 cm. Photo by Jeremy Haik. Courtesy Tina Kim Gallery, New York.

New York: Two Hours

Installation view of LEE KIT’s exhibition “Hold Your Breath, Dance Slowly,” at Walker Art Center, Minneapolis, 2016. Courtesy Walker Art Center.

Minneapolis: Lee Kit

MIKA TAJIMA, Epimelesthai Sautou (Take Care), 1, 2014, thermoformed acrylic, spray enamel and aluminum, 198 x 198 x 81 cm. Photo by Robert Wedemeyer. Courtesy the artist and Kayne

Los Angeles: Mika Tajima & Jean-Pascal Flavien

TAIPING TIANGUO: A HISTORY OF POSIBLE ENCOUNTERS, edited by Doryun Chong and Cosmin Costinas. Published by Para Site, Hong Kong, and Sternberg Press, Berlin, 2015. Softcover with c

BOOK REVIEWS: Familiar Meetings, Strange Lands

Trevor Yeung in his small but lively Fo Tan studio in Hong Kong, which he has rented since early 2015.

Trevor Yeung

The Sketch: Lala Rukh

*GÜLSÜN KARAMUSTAFA*, _Double Reality_, 1987/2013, fabric, iron and polyester, 192 x 170 x 171 cm. Collection Museum of Contemporary Art Chicago. Photo by Mustafa Hazneci, from

Berlin: Gülsün Karamustafa