Issue

HITO STEYERL, HellYeahWeFuckDie, 2017. Three-channel video installation: 4 min.Photo by Henning Rogge. Courtesy Skulptur Projekte Münster.

Münster: Skulptur Projekte Münster

Installation view of “Mondialité” with Zig Zag by ALIGHIERO BOETTI in the foreground, at Bhogossian Foundation’s Villa Empain, Brussels, 2017. Courtesy Bhogossian Foundation.

Brussels: Mondialité

FAHRELNISSA ZEID, Fight Against Abstraction, 1947, oil on canvas, 101 x 151 cm.Courtesy Raad Zeid Al-Hussein and Istanbul Museum of Modern Art.

London: Fahrelnissa Zeid

GAUTAM KANSARA, Don’t Hurry, Don’t Worry (stills), 2010. Single-channel video with sound: 14 min 58 sec. Courtesy the artist.

New York: Lucid Dreams and Distant Visions

DEL KATHRYN BARTON, To Speak of Anger, I Will Take Care, 2017Acrylic and archival pigment ink on rag, 198 x 140 cm.Courtesy the artist and Albertz Benda, New York.

New York: Del Kathryn Barton

AN TE LIU, The Party’s Over, 2017 Cast bronze, diameter of 30.5 cm.Courtesy the artist and Anat Egbi, Los Angeles.

Los Angeles: An Te Liu

(Top) THE STAKES OF EXPOSURE: ANXIOUS BODIES IN POSTWAR JAPANESE ART,By Namiko Kunimoto, Published by the University of Minnesota Press, Minnesota, 2017.Softcover with black-and-wh

BOOK REVIEWS: Where was Radicalism?

Chung Seoyoung

Chung Seoyoung

ZHANG HUAN. 12 Square Meters, 1994. Documentation of a 40-minute performance. Courtesy the artist.

ONE ON ONE: Khvay Samnang on Zhang Huan

Installation view of MART A MINUJÍN’s The Parthenon of Books, 2017, steel, books and plastic sheeting, 19.5 x 29.5 x 65.5 m, at Friedrichsplatz, Kassel, 2017. Photo by Roman März.

Athens & Kassel: Documenta 14

PARK CHAN-KYONG, Citizen's Forest (still), 2016, three-channel video with ambisonic 3D sound: 26 min 6 sec.Courtesy Art Sonje Center and Kukje Gallery, Seoul.

Seoul: Park Chan-kyong

Liu Jianhua in his studio in Taopu, Shanghai.

Where I Work: Liu Jianhua

Dispatch: Shenzhen: Up and coming

1997 Hong Kong calendar, © Pop Products, Taiwan.

Hong Kong: The view from abroad