Issue

Portrait of Rashad Becker. Photo by Camille Blake. Courtesy the artist.

Rashad Becker

Installation view of the exhibition “How to Become Us,” at Art Space Pool, Seoul, 2011.

Lee Wan: Transformative Assemblages

LANDSCHAFT (ROUEN CATHEDRAL, (SIDE GARDEN) (SLIGHTLY DIFFERENT POSITION), AUGUST 22, 3:15 p.m.–4:15 p.m.), watercolor, color pencil, pencil, ink, stamp on paper, 18.6 x 27.5 cm. Co

Samson Young: Chasing Frontiers

(Left) QUITATE LA ROPA Y CALLATE, 2015, acrylic on digital print, 74 x 94 cm; (right) DAME TU DINERO, 2015, acrylic on digital print, 74 x 94 cm. Installation view for Manuel Ocamp

Manuel Ocampo: The Devil You Know

NOUS NE NOTONS PAS LES FLEURS, FORT RUIGENHOEK, 2011, view of participatory performance with installation of growing flowers, 24-hour, security camera and monitors. Courtesy the ar

Tintin Wulia: Not Alone

INSIDE BURGER COLLECTION: The Voices of Things1

MARQUES HANALEI MARZAN, ‘A‘ahu Kino Lau, 2017, Textile, cordage and foliage, dimensions variable.Courtesy the artist and Honolulu Biennial Foundation.

Honolulu Biennial

Installation view of real and reproduced protest posters from The Umbrella Movement Visual Archive (2014) for the exhibition

Sydney: Before the Rain

EI ARAKAWA, Installation view of “Tryst” at Taka Ishii Gallery, Tokyo, 2017. Photo by Kenji Takahashi. Courtesy Taka Ishii Gallery.

Tokyo: Ei Arakawa

SONG DONG, Mirror Hall, 2016–17, Mirrors, old wooden window frames and mirror boards, dimensions variable. Installation view of the exhibition“I Don’t Know the Mandate of Heaven” a

Shanghai: Song Dong

SIAH ARMAJANI, Bridge Over a Tree, 1970, Mixed media, 20.6 x 86.4 x 24.8 cm. Courtesy the artist and Rossi & Rossi, Hong Kong/London.

Hong Kong: Siah Armajani

KAMIN LERTCHAIPRASERT, No Past, No Present, No Future, 2015, Mixed media, dimension variable. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Chiang Mai: Kamin Lertchaiprasert

JITISH KALLAT, Epilogue, 2011, Pigment print on archival paper, 753 prints: 31.7 x 39.4 cm each. Courtesy Nature Morte, New Delhi.

New Delhi: Jitish Kallat

MARIANA CASTILLO DEBALL, Hypothesis of a Tree, 2016, Bamboo structure, rubbings on Japanese paper and sumi ink, dimensions variable.Courtesy Sharjah Art Foundation.

Sharjah: Sharjah Biennial 13