Issue

STORY OF THE FOREST, 2016, interactive digital installation with sound by Hideaki Takahashi, dimensions variable.Unless otherwise stated, all images courtesy the artists.

teamLab: An Equal world

Partial installation view of drawings from the series “THE RIVER,” 2015-16, part of the project “Under-Writing Beirut — Nahr” (2013–16), three channel installation, drawings, and v

Lamia Joreige: Diagnosis of the present

Detail of I AM EVERYTHING YOU LO ST, 2016, reverse tondo painting on acrylic, 122 cm in diameter. Photo by Anil Rane. All images courtesy the artist.

Nalini Malani: Instruments For Living

A work from the series, “THE ONE YEAR DRAWING PROJECT: MAY 2005– OCTOB ER 2007,” 2005–07, watercolor and pen on paper, made in collaboration with Chandraguptha Thenuwara, Muhanned

Jagath Weerasinghe: States of Psychosis

Study for KHALIL CHISHTEE’s History Is a Nightmare from Which I Am Trying to Awake II (detail), 2017, wood, 101.6 x 254 cm. Courtesy the artist.

INSIDE BURGER COLLECTION: Art in the Era of Identity Politics

Installation view of “The Inventive Work of Shigeru Ban” at Sherman Contemporary Art Foundation, Sydney, 2017. Photo by Brett Boardman. Courtesy Sherman Contemporary Art Foundation

Sydney: Shigeru Ban

Tokyo: Sunshower

Installation view of “Monuments” at ShanghArt Shanghai, 2017. Photo by Alessandro Wang. Courtesy the artist and ShanghArt, Shanghai/Beijing/Singapore.

Shanghai: Apichatpong Weerasethakul

DOUBLE FLY ART CENTER, Installation view of “The Bro Generation” at de Sarthe Gallery, Beijing, 2017. Courtesy the artists and de Sarthe Gallery, Beijing/Hong Kong.

Beijing: Double Fly Art Center

YAYOI KUSAMA, Narcissus Garden, 2017 1,500 stainless steel balls, dimensions variable. Installation view from the exhibition “Yayoi Kusama: Life is the Heart of a Rainbow” at Nati

Singapore: Yayoi Kusama

BAKHYT BUBICANOVA, Kazakh Imperial Art, 2017, photo collage, digital print, 123 x 82 cm each.Photo by Patrick Verbruggen. Copyright and courtesy Yarat Contemporary Art Centre, Baku

Baku: Suns and Neons Above Kazakhstan

SLAVS AND TATARS, Reverse Joy, 2012. MDF, tile, water pump, pigmented water, bowl and tile application with black paint, 241 x 241 x 41 cm.Installation view from the exhibition “Mo

Istanbul: Slavs and Tatars

ANICKA YI, The Flavor Genome (still), 2016 Single-channel 3D video installation: 22 min.Courtesy the artist and 47 Canal, New York.

Berlin: Jaguars and Electric Eels

Installation view of “In This Vessel Lies the Philosopher’s Stone” at Galleria Continua, San Gimignano, 2017.Photo by Ela Bialkowska. Courtesy the artist and Galleria Continua.

San Gimignano: Subodh Gupta