Issue

ZAO WOU-KI, 27.02.98, 1998, Oil on canvas, 130 × 195 cm. Copyright Zao Wou-Ki/ProLitteris, Zurich. Courtesy Asia Society, New York.

New York: Zao Wou-Ki

REUVEN ISRAEL, Red Neck, 2016, Copper-coated steel rod and painted MDF, 204.5 x 167 x 120 cm. Copyright the artist. Courtesy Shulamit Nazarian, Los Angeles.

Los Angeles: Reuven Israel

NO CHAOS NO PARTY: 28 ARTISTS IN METRO MANILA, Edited by Eva McGovern-Basa. Published by Solutions, Hong Kong. Hardcover with full-color illustrations, 218 pages.

BOOK REVIEWS: Riots and Revelry

Ha Chong-Hyun standing next to signature burlap canvases in his studio in Ilsan, South Korea.

Ha Chong-Hyun

FINE PRINT: A Framework for Connectors in the Art World

_SAND DRAWINGS 4_ (detail), 2000-15, digital print on Hahnemuhle Photo Rag paper, 40.6 x 54.6 cm. Courtesy the artist and Grey Noise, Dubai.

Lala Rukh: Tranquility Amid Turmoil

*KISHIO SUGA*, _Fieldology_, 1974/2016, rope, dimensions variable. Courtesy the artist, Pirelli HangarBicocca, Milan, and Blum & Poe, Los Angeles/New York.

Milan: Kishio Suga, “Situations”

Anish Kapoor at his show at Kukje Gallery

SOCIAL

TEPPEI KANEUJI, Games, Dance and the Constructions (Singapore) #10-C, 2013, screen print, archival ink jet print, plexiglas and cotton rag paper, 94.5 × 94.5 × 4.5 cm. Courtesy Ros

Vivid Conditions

PRANEET SOI, “…the axis of geography as against the axis of history . . .”, 2016. A portrait of Jean-Pierre Gorin. Pencil on paper, 29 x 21 cm. Courtesy the artist.

ONE ON ONE: Praneet Soi on Jean-Pierre Gorin

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

DISPATCH: Kuala Lumpur

Illustration by Lisk Feng.

THE POINT: Art-Making in a Troubled World

JASON LAM and SAMPSON WONG, Countdown Machine, 2016. Animation on the International Commerce Centre, Hong Kong, 2016. Photo by Jason Lam.

Only Numbers

SAJAN MANI, Secular Meat, 2016, two-hour performance at Sunaparanta-Goa Centre for the Arts, Goa, 2016. Courtesy the artist.

Indian Artivism