Issue

Chung Seoyoung

Chung Seoyoung

ZHANG HUAN. 12 Square Meters, 1994. Documentation of a 40-minute performance. Courtesy the artist.

ONE ON ONE: Khvay Samnang on Zhang Huan

Installation view of MART A MINUJÍN’s The Parthenon of Books, 2017, steel, books and plastic sheeting, 19.5 x 29.5 x 65.5 m, at Friedrichsplatz, Kassel, 2017. Photo by Roman März.

Athens & Kassel: Documenta 14

PARK CHAN-KYONG, Citizen's Forest (still), 2016, three-channel video with ambisonic 3D sound: 26 min 6 sec.Courtesy Art Sonje Center and Kukje Gallery, Seoul.

Seoul: Park Chan-kyong

Liu Jianhua in his studio in Taopu, Shanghai.

Where I Work: Liu Jianhua

Dispatch: Shenzhen: Up and coming

1997 Hong Kong calendar, © Pop Products, Taiwan.

Hong Kong: The view from abroad

KIM BEOM, _Paper Wrapped (Dishwashing Soaps)_, 2016, objects wrapped with pigmented paper pulp on wooden base, 27.4 x 31 x 53.4 cm.Courtesy the artist and STPI, Singapore.

Singapore: Kim Beom

KUNIÉ SUGIURA, Namu (2), 1994, unique toned gelatin silver print, 102 x 77 cm. Copyright Kunié Sugiura. Courtesy Leslie Tonkonow Artworks + Projects, New York.

Slow Down, Look Closer

Installation view of ANTHONY CARO’s Lock (1962) at Barford Sculptures, London, 2017. Courtesy Barford Sculptures Ltd. and the artist. Photo by John Hammond.

ONE ON ONE: Rasheed Araeen on Anthony Caro

View of Bangkok at night. Photo by Benh Lieu Song.

DISPATCH: Bangkok

Illustration by Chloe Bennett.

THE POINT: Narrating Syria Through Family-Run Arts Patronage

HO FAN, Sun Rays, 1959. Courtesy Blue Lotus Gallery, Hong Kong.

Culture of Reappearance

Portrait of IAN HOLLIDAY at his office in Hong Kong. Photo by Jessica Keung for ArtAsiaPacific.

Ian Holliday