Issue

Installation view of “Monuments” at ShanghArt Shanghai, 2017. Photo by Alessandro Wang. Courtesy the artist and ShanghArt, Shanghai/Beijing/Singapore.

Shanghai: Apichatpong Weerasethakul

DOUBLE FLY ART CENTER, Installation view of “The Bro Generation” at de Sarthe Gallery, Beijing, 2017. Courtesy the artists and de Sarthe Gallery, Beijing/Hong Kong.

Beijing: Double Fly Art Center

YAYOI KUSAMA, Narcissus Garden, 2017 1,500 stainless steel balls, dimensions variable. Installation view from the exhibition “Yayoi Kusama: Life is the Heart of a Rainbow” at Nati

Singapore: Yayoi Kusama

BAKHYT BUBICANOVA, Kazakh Imperial Art, 2017, photo collage, digital print, 123 x 82 cm each.Photo by Patrick Verbruggen. Copyright and courtesy Yarat Contemporary Art Centre, Baku

Baku: Suns and Neons Above Kazakhstan

SLAVS AND TATARS, Reverse Joy, 2012. MDF, tile, water pump, pigmented water, bowl and tile application with black paint, 241 x 241 x 41 cm.Installation view from the exhibition “Mo

Istanbul: Slavs and Tatars

ANICKA YI, The Flavor Genome (still), 2016 Single-channel 3D video installation: 22 min.Courtesy the artist and 47 Canal, New York.

Berlin: Jaguars and Electric Eels

Installation view of “In This Vessel Lies the Philosopher’s Stone” at Galleria Continua, San Gimignano, 2017.Photo by Ela Bialkowska. Courtesy the artist and Galleria Continua.

San Gimignano: Subodh Gupta

HITO STEYERL, HellYeahWeFuckDie, 2017. Three-channel video installation: 4 min.Photo by Henning Rogge. Courtesy Skulptur Projekte Münster.

Münster: Skulptur Projekte Münster

Installation view of “Mondialité” with Zig Zag by ALIGHIERO BOETTI in the foreground, at Bhogossian Foundation’s Villa Empain, Brussels, 2017. Courtesy Bhogossian Foundation.

Brussels: Mondialité

FAHRELNISSA ZEID, Fight Against Abstraction, 1947, oil on canvas, 101 x 151 cm.Courtesy Raad Zeid Al-Hussein and Istanbul Museum of Modern Art.

London: Fahrelnissa Zeid

GAUTAM KANSARA, Don’t Hurry, Don’t Worry (stills), 2010. Single-channel video with sound: 14 min 58 sec. Courtesy the artist.

New York: Lucid Dreams and Distant Visions

DEL KATHRYN BARTON, To Speak of Anger, I Will Take Care, 2017Acrylic and archival pigment ink on rag, 198 x 140 cm.Courtesy the artist and Albertz Benda, New York.

New York: Del Kathryn Barton

AN TE LIU, The Party’s Over, 2017 Cast bronze, diameter of 30.5 cm.Courtesy the artist and Anat Egbi, Los Angeles.

Los Angeles: An Te Liu

(Top) THE STAKES OF EXPOSURE: ANXIOUS BODIES IN POSTWAR JAPANESE ART,By Namiko Kunimoto, Published by the University of Minnesota Press, Minnesota, 2017.Softcover with black-and-wh

BOOK REVIEWS: Where was Radicalism?