Issue

HUANG YONG PING, Devons-nous Encore Construire une Grande Cathédrale? 1991Installation of table, stools, black-and-white photograph and paper-mache,dimensions variable.Installation

Shanghai: Fondation Cartier pour l’Art Contemporain, A Beautiful Elsewhere

Beijing: Zhang Yue

NI YOUYU, Relic (detail), 2018, Mixed media on canvas, 220 x 600 cm.Courtesy the artist and Perrotin, Hong Kong/Seoul/Tokyo/Shanghai/Paris/New York.

Hong Kong: Ni Youyu

SAENGJUN LIMLOHAKUL, An Elephant Procession, Takua Pa, Phang Nga, c. 1955, gelatin silver print, 22.5 x 35.8 cm. Courtesy Manit Sriwanichpoom and NUS Museum, Singapore.

Singapore: Rediscovering Forgotten Thai Masters of Photography

AHMAD FUAD OSMAN, All that is Solid Melts into Air, 2018, oil on canvas, 183 x 213 cm. Courtesy A+ Works of Art, Kuala Lumpur.

Kuala Lumpur: Ahmad Fuad Osman

IRINA ELDAROVA, The Best Ones, mixed media and acrylic on wood, 90 x 150 cm. Photo by Adil Yusifov. Courtesy Gazelli Art House, Baku/London.

Baku: 1918

BÜLENT ŞANGAR, Untitled (Windows), 1997–2007, digital photograph (detail), 400 x 234 cm. Courtesy the artist.

Istanbul: Aydan Murtezaoğlu and Bülent Şangar

MARWAN KASSAB-BACHI, Das Licht, 1973, oil on canvas, 130 x 195 cm. Courtesy Galerie Michael Haas, Berlin.

Berlin: Marwan

LATIFF MOHIDIN, Still Life 62, 1962, acrylic on board, 37.8 x 67.7 cm. Courtesy the artist.

Paris: Latiff Mohidin

SEUNG-TAEK LEE, Untitled, 2017, rope on canvas, 135 x 175 cm. Courtesy the artist; Gallery Hyundai, Seoul; and White Cube, London/Hong Kong.

London: Seung-taek Lee

HIWA K, Pre-Image (Blind as the Mother Tongue), 2017, still of single-channel HD video with color and sound: 18 min.Courtesy the artist; KOW, Berlin; and Prometeogallery by Ida Pis

New York: Hiwa K

TANG CHANG, Installation view of “The Painting that is Painted with Poetry is Profoundly Beautiful” at Smart Museum of Art, Chicago, 2018. Courtesy Smart Museum of Art.

Chicago: Tang Chang

SHOJA AZARI, Icon #1-5, 2010. Video loop on Blu-ray: 4 min. Installation view of “In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art” at Los Angeles C

Los Angeles: In the Fields of Empty Days

SEEING SLOWLY: LOOKING AT MODERN ART By Michael Findlay. Published by Prestel. Munich/London/New York, 2017. Hardcover with full-color illustrations, 247 pages.HIROSHI SUGIMOTO: PO

BOOK REVIEWS: Looking Anew