Issue

NAEEM MOHAIEMEN, Two Meetings and a Funeral, 2017, three-channel video installation with color and sound: 85 min.Installation view at Beirut Art Center, 2018. Photo by Barış Doğrus

Beirut: Naeem Mohaiemen

ALI MAHMUT DEMIREL, The Pit, 2017, still image of three-channel 4K video with color and sound: 6 min 45 sec. Courtesy the artist and Arter, Istanbul.

Istanbul: Ali Mahmut Demirel

ZHANG DALI, The First Sports Meeting of the National Army 1952, 2005Gelatin silver print, photomechanical reproduction and typewritten text, 112 x 60 cm. Courtesy the artist.

Bologna: Zhang Dali

London: Chikako Yamashiro

London: Chikako Yamashiro

Installation view of “Take My Breath Away,” at the Solomon R. Guggenheim Museum, New York, 2018Photo by David Heald. Courtesy the Solomon R. Guggenheim Museum.

New York: Danh Vō

YOKO ONO, Mend Piece, 1966/2015, ceramic, glue, tape, paper, cement, scissors and twine, dimensions variable.Installation view of “The Riverbed” at Galerie Lelong, New York, 2015–1

Toronto: Yoko Ono

JASPER JOHNS, Installation view of “Something Resembling Truth,” with Souvenir (left) and Watchman (right) at Broad Museum, Los Angeles, 2018. Both 1964. Encaustic on canvas with o

Los Angeles: Jasper Johns

DUTY FREE ART: ART IN THE AGE OF PLANETARY CIVIL WARBy Hito Steyerl. Published by Verso, London, 2017. Hardcover, 244 pages.SAVING BEAUTYBy Byung-Chul Han. Published by Polity Pre

BOOK REVIEWS: Art in Crisis

Rina Banerjee in her studio in Manhattan, New York.

Rina Banerjee

KWOK MANG-HO, Early Autumn, 1977, spray paint on paper, 38 x 29 cm. Courtesy the artist and 10 Chancery Lane Gallery, Hong Kong.

Elemental Forces

XU BING, stills from Dragonfly Eyes, 2017, video with color and sound: 81 min. Courtesy the artist.

Man, Machine or Dragonfly?

View of 98B COLLABoratory’s space in Metro Manila, 2017. Courtesy 98B COLLABoratory.

Beyond Infrastructures

Portrait of Désiré Feuerle.Photo by Def Image. Courtesy The Feuerle Collection, Berlin.

Désiré Feuerle

Portrait of Andrew Ruff and Ling Ling Zou.Courtesy the collectors

Andrew Ruff and Ling Ling Zou