Issue

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm.Installation view of “Crashing” at Hayward Gal

London: Lee Bul

REZA ABDOH, Bogeyman, 1990, Documentation of 90-minute performance at the Los Angeles Theater Center,Los Angeles, August 30, 1991. Photo by Jan Deen. Courtesy Museum of Modern Art,

New York: Reza Abdoh

(Left) FRAGMENTS, by Rayyane Tabet, published by Kaph Books, Beirut, 2018. Hardcover, 312 pages.(Middle) DARK FLUID, edited by Angela Su, published by Angela Su and Things That Can

BOOK REVIEWS: Out of the Past

Mit Jai Inn in his studio in Chiang Mai, with an artwork that Sawangwongse Yawnghwe painted in Mit’s space.

Mit Jai Inn

FINE PRINT: Flesh and Spirit and Advanced Lessons for Buying at Auction

Future Cities

Future Institutions

Future Markets

Installation view of PATRICIA PEREZ EUSTAQUIO’s The Future That Was (Reflections) (detail),2013, metal, cane (solihiya), paint, mirrors on fabric, dimensions variable,at “The Futur

Being Within the Change

CHEN SHUN-CHU, King-Do Relic, 1996, nine wooden sculptures with image-transferred tiles, each 192 x 32 cm.Black-and-white installation view of “King-Do Relic” at IT Park Gallery, T

ONE ON ONE: Kacey Wong on Chen Shun-Chu

View of Taichung in 2017. Courtesy C Yang.

DISPATCH: Taichung

Illustration by Chia-chi Yu

THE POINT: A Friend

Portrait of PRUMSODUN OK, 2018. Photo by Nobuyuki Arai. Courtesy the artist.

Healing Through Movement

Portrait of Hsu Chia-Wei. Courtesy Liang Gallery, Taipei.

Hsu Chia-Wei