Issue

Keiichi Tanaami

Keiichi Tanaami

MINOUK LIM, On Air, 2017, various objects including gourd, feather, infrared lamp, fake hair, incense, car headlight, speaker and camera, dimensions variable. Installation view of

Busan: Busan Biennale

*TOM NICHOLSON*, _I Was Born in Indonesia_, 2017, 110 resin-cast diorama figurines on trestle, table with vinyl text and ten unsynchronized HD videos, dimensions variable. Installa

Gwangju: Gwangju Biennale 2018

Young & Emerging: New Digitals

INSIDE BURGER COLLECTION: Giving Voice, Forming Body

Metro Manila: Metropolitan Museum of Manila, Yuchengco Museum and Vargas Museum

HEMAN CHONG, Foreign Affairs #35, 2018, UV print on unprimed canvas, 200 x 130 x 5 cm. Courtesy the artist.

Dragons, Hydra and the 21st Century

JUN NGUYEN-HATSUS HIBA, Memorial Project Nha Trang, Vietnam: Towards the Complex, For the Courageous, the Curious, and the Cowards, 2001, Still from single-channel video, with colo

ONE ON ONE: MAP Office on Jun Nguyen-Hatsushiba

Illustration by Margherita Morotti

THE POINT: B Movie Synopsis

Still from Nanette, a live recording of a stand-up comedy set by Tasmanian comic and art critic Hannah Gadsby, 2018. Photo by Ben King. Courtesy Netflix.

Global Curatorial Futures

MING WONG, Life of Imitation, 2009, still from two-channel video installation with color and sound: 13 min. Courtesy the artist.

Rising Generation

Portrait of WONG KIT YI, from her exhibition “North Pole Futures” at K., New York, 2015. Courtesy the artist.

Wong Kit Yi

Lawrence Lek

Portrait of Larissa Sansour. Courtesy the artist.

Larissa Sansour