Issue

ArtAsiaPacific 25th anniversary issue!

ArtAsiaPacific 25th anniversary issue!

HON CHI-FUN, Karma Pass, 1987, acrylic on canvas, 132.5 × 132.5 cm. Courtesy the artist and Ben Brown Fine Arts, Hong Kong/London.

Ways of Marking Time

SLAVS AND TATARS, To No One, 2018Mimeograph print, 59 x 42 cm. Courtesy the artists.

ONE ON ONE: Slavs and Tatars on Johann Georg Hamann

DISPATCH: Pyongyang

DISPATCH: Pyongyang

Illustration by Kat J. Weiss

THE POINT: The Alternatives

YOSHIKO SHIMADA, Becoming a Statue of a Japanese Comfort Woman, 2018, digital image documentation of performance at Central Park in Glendale, California. Courtesy Weng San Sit.

Remember Me

Portrait of Kim and Lito Camacho. Photo by Elaine W. Ng for ArtAsiaPacific.

Kim and Lito Camacho: Culture Vultures

Portrait of Hrair Sarkissian. Courtesy the artist.

Hrair Sarkissian: Specters and Spaces

Portrait of Niyaz Najafov.Photo by Ned Carter Miles for ArtAsiaPacific.

Niyaz Najafov: Fighting Man

INWARD COURSE (detail), 1990 , acrylic on canvas, 129 x 129 cm. Courtesy the artist and Ben Brown Fine Arts, Hong Kong/London.

Hon Chi Fun: Full Circle

DAVUL, 2018, documentation of performance at Karga, Istanbul, 2018. Photo by Canan Erbil. Courtesy the artist.

Cevdet Erek: BBBBDDDRRUUUUMMM!

NAEEM MOHAIEMEN, Two Meetings and a Funeral, 2017, three-channel video installation with color and sound: 85 min.Installation view at Beirut Art Center, 2018. Photo by Barış Doğrus

Beirut: Naeem Mohaiemen

ALI MAHMUT DEMIREL, The Pit, 2017, still image of three-channel 4K video with color and sound: 6 min 45 sec. Courtesy the artist and Arter, Istanbul.

Istanbul: Ali Mahmut Demirel

Installation view of PROVOCATION OF THE NIGHTINGAlE #1, 2017, digital video with color and sound: 22 min, at the Baltic Centre for Contemporary Art, Gateshead, 2017. Photo by John

YOUNG & EMERGING: Alternative Neo-Spiritualities