Issue

Installation view of NEIL FETTLING and collaborators' seawall, 2019, welded wire mesh, plastic packaging, various objects and beeswax, dimensions variable, at “Normal Scheduling Wi

Manila: Poklong Anading and Neil Fettling

Installation view of PHILIPP SCHMITT and STEPHEN BOGNER's Human Element Inc., 2016, customized scanner,LED signpost, digital prints, video: 4 min 5 sec, at

Beijing: Lying Sophia and Mocking Alexa

Installation view of NS HARSHA's Nations, 2007/19, 193 foot-operated sewing machines, acrylic on canvas,dimensions varaible, at

Hong Kong: NS Harsha

Singapore: Arin Rungjang

Singapore: Arin Rungjang

XIYADIE, Your light bulb is fine (Such natural mutual love is part of human nature), 2018, papercut and pigments, 28 × 30 cm. Photo by Jaka Babnik. Courtesy the artist and the Int

Ljubljana: Ljubljana Biennial of Graphic Arts

LIDA ABDUL, Clapping with Stones, 2005, still from 16mm film transferred to DVD: 5 min. Courtesy the artist and Giorgio Persano Gallery, Turin.

New York: Clapping With Stones

Partial installation view of YUTAKA MATSUZAWA's The Nine Meditation Chambers, 1977, 12 handwritten and typed sheets, 18 × 25.6 cm each, at Nonaka-Hill Gallery, Los Angeles, 2019. C

Los Angeles: Yutaka Matsuzawa

BOOK REVIEWS: Tracking Transformations

BOOK REVIEWS: Tracking Transformations

Portrait of the artist HILMI JOHANDI in front of his Singapore studio. All photos by Marybeth Stock for ArtAsiaPacific unless otherwise stated.

Hilmi Johandi

Frankfurt: Alia Farid: In Lieu of What Was

Frankfurt: Alia Farid: In Lieu of What Was

The Sketch: Yee I-Lann

The Sketch: Yee I-Lann

LAWRENCE ABU HAMDAN, Conflicted Phonemes, 2012, timeline, vinyl wall print: 267 × 205 cm; voice maps: 21 × 29.7 cm. Courtesy the artist and mor charpentier, Paris.

The Art of Listening

Installation view of ANTONY GORMLEY's Blind Light, 2007, fluorescent light, water, ultrasonic humidifiers, toughened low-iron glass and aluminum, 320 × 978.5 × 856.5 cm, at “Blind

ONE ON ONE: Htein Lin on Antony Gormley

Installation view of IBRAHIM MAHAMA's A Friend, 2019, jute coal sacks, dimensions variable,at Caselli Daziari di Porta Venezia, Milan, 2019. Photo by Marco De Scalzi. Courtesy Fond

DISPATCH: Milan