Issue

JOYCE HO, Overexposed Memory, 2015.Still from single-channel video installation: 4 min 47 sec.Courtesy the artist and TKG+, Taipei/Beijing.

Brisbane:The 9th Asia Pacific Triennial of Contemporary Art

XIAO LU, 15 Gunshots . . . from 1989 to 2003, 2003.15 black-and-white digital prints, framed then punctured by a bullet, 100 × 45 × 15 cm each.Installation view of “Xiao Lu: Imposs

Sydney: Xiao Lu

HIWA K., The Bell, 2015.War-metal waste cast into bronze with wood, 176 × 215 × 121 cm; two-channel HD video with color and sound: 25 and 35 min.Installation view of “Catastrophe a

Tokyo: Catastrophe and the Power of Art

BAHC YISO, Capital=Creativity, 1996.Acrylic on paper, 50 × 81 cm. Courtesy National Museum of Modern andContemporary Art, Seoul/Gwacheon/Cheongju.

Gwacheon: Bahc Yiso

Taipei: Taipei Biennial 2018

YAO QINGMEI, Dance! Dance! Bruce Ling!, 2013.Video documentation of performance: 12 min. Courtesy the artist and Taikang Space, Beijing.

Beijing: Dance With It

ZENG FANZHI, Untitled, 2018 Oil on canvas, 100 × 80 cm. Courtesy the artist and Hauser & Wirth,Hong Kong/London/Los Angeles/New York/Somerset/St. Moritz/Gstaad/Zürich.

Hong Kong: Zeng Fanzhi

HO TZU NYEN, The Nameless, 2015.Single-channel video installation with color and sound: 21 min 37 sec. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Chiang Mai: Diaspora

SORNCHAI PHONGSA, Alien Capital, 2018Mixed-media installation, 8 × 8 × 3.5 meters. Installation view at “Beyond Bliss,” Bangkok Art Biennale, 2018–19.Courtesy the artist and Bangko

Bangkok: Bangkok Art Biennale

ASTHA BUTAIL, (Forever) Embedded Memory, 2014.Archival paper, oak wood and reeds, 55 × 56 × 125 cm.Installation view of “In the Absence of Writing” at 24, Jor Bagh, New Delhi, 2019

New Delhi: Astha Butail

ALESSANDRO BALTEO-YAZBECK, Last Oil Barrel, Date postponed, Sustainable wood, paper, ink and financial markets, 3.8 × 2.5 × 2.5 cm. Courtesy Art Jameel, Dubai.

Dubai: Crude

OUMAYA ALIEH SOUBRA, Ombre et Lumière [Shadow and Light], c. 1982. Oil on paper, 50.2 × 70.3 cm. Photo by Gökcan Demirkazık for ArtAsiaPacific

Beirut: Oumaya Alieh Soubra

WONG PING, FRUITPUNCH – We Want More, 2010.Single-channel HD video: 5 min 58 sec. Courtesy the artist and Edouard Malingue Gallery, Hong Kong/Shanghai.

Berlin: The D-tale, Video Art from the Pearl River Delta

KORAKRIT ARUNANONDCHAI with ALEX GVOJIC and BOYCHILD, No history in a room filled with people with funny names 5, 2018.Three-channel video installation, 30 min 44 sec. Installatio

London: Korakrit Arunanondchai