Issue

Still from Nanette, a live recording of a stand-up comedy set by Tasmanian comic and art critic Hannah Gadsby, 2018. Photo by Ben King. Courtesy Netflix.

Global Curatorial Futures

MING WONG, Life of Imitation, 2009, still from two-channel video installation with color and sound: 13 min. Courtesy the artist.

Rising Generation

Portrait of WONG KIT YI, from her exhibition “North Pole Futures” at K., New York, 2015. Courtesy the artist.

Wong Kit Yi

Lawrence Lek

Portrait of Larissa Sansour. Courtesy the artist.

Larissa Sansour

Future Cities

Future Institutions

Future Markets

WAIT FOR ME IN A CRASHING AIRSHIP, 2016, still image of 360-degree VR video with color and sound: 16 min 45 sec. Courtesy the artists.

Young & Emerging: New Narratives

Image of the Langen Foundation. Photo by Tomas Riehle. Copyright Langen Foundation, Neuss.

INSIDE BURGER COLLECTION: How to See [What Isn’t There]

ZAO WOU-KI, Traversée des Apparences, 1956, oil on canvas, 97 x 195 cm. Photo by Dennis Bouchard.Copyright Association pour la Diffusion des Arts Graphiques et Plastiques, Paris, 2

Paris: Zao Wou-ki

SUN XUN, Untitled (MCA Residency Painting), 2018, acrylic, pencil and charcoal on paper, 1,000 x 120 cm.Image of live painting performance at Museum of Contemporary Art Australia,

Sydney: Sun Xun

KARRABING FILM COLLECTIVE, Seenandunseen, 2017, detail of three-channel video installation with vitrine, maps and magnifying glasses, dimensions variable. Photo by Carl Warner. Cou

Brisbane: Karrabing Film Collective

AHMET ÖĞÜT, “The Drifters” Version 2, 2018, mixed-media installation with two Toyota Land Cruisers, dimensions variable.Installation view at Echigo-Tsumari Art Triennale, 2018. Pho

Echigo-Tsumari: Echigo-Tsumari Art Triennale 2018