Issue

Taipei: Taipei Biennial 2018

HO TZU NYEN, The Nameless, 2015.Single-channel video installation with color and sound: 21 min 37 sec. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Chiang Mai: Diaspora

ASTHA BUTAIL, (Forever) Embedded Memory, 2014.Archival paper, oak wood and reeds, 55 × 56 × 125 cm.Installation view of “In the Absence of Writing” at 24, Jor Bagh, New Delhi, 2019

New Delhi: Astha Butail

ALESSANDRO BALTEO-YAZBECK, Last Oil Barrel, Date postponed, Sustainable wood, paper, ink and financial markets, 3.8 × 2.5 × 2.5 cm. Courtesy Art Jameel, Dubai.

Dubai: Crude

Shu Lea Cheang

Shu Lea Cheang

*ENRIQUE JEZIK*, _In Hemmed-in Ground_, 2018, steel structure, recycled cardboard, 77 x 1150 x 1150 cm. Installation view of the 12th Shanghai Biennale,

Shanghai: 12th Shanghai Biennale: Proregress

Suki Seokyeong Kang standing inside the frames of a

Suki Seokyeong Kang

MINOUK LIM, On Air, 2017, various objects including gourd, feather, infrared lamp, fake hair, incense, car headlight, speaker and camera, dimensions variable. Installation view of

Busan: Busan Biennale

Shanghai: Cheng Ran

Ramallah: Subcontracted Nations

Ramallah: Subcontracted Nations

Izumi Kato in his Hong Kong studio. On the right is an untitled painting, which he had just completed on the day of ArtAsiaPacific’s visit.

Izumi Kato

Keiichi Tanaami

Keiichi Tanaami

MA QIUSHA, You (A Parabola from East to West), 2012, watercolor and mixed media on paper, 78.5 × 110 cm. Courtesy the artist and Beijing Commune.

Us, You, #MeToo

ON KAWARA, One Million Years (Reading), 1993–, Documentation of reading performance, one month. View of “One Million Years” exhibition at David Zwirner, New York, 2009. Courtesy Da

ONE ON ONE: On Kawara