Issue

Installation views of Elevator Pitch, created in collaboration with New Orleans Airlift and Rick Snow, 2019, mild steel, stainless steel, copper, acrylic, cypress, electronic instr

IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

MEIRO KOIZUMI, Air #1, 2016, oil on printed canvas, 40 x 60 cm. Takashi Collection, Tokyo. All photos by HG Masters for ArtAsiaPacific.

Nagoya and Toyota: Aichi Triennale 2019

THE POINT: Thinking Outside the (Fair) Box

Guangzhou: The Racing Will Continue, The Dancing Will Stay

Basel: Geumhyung Jeong

Toronto: Joana Hadjithomas and Khalil Joreige

BOOK REVIEWS: Alternative Perspectives

PATTY CHANG, Flotsam Jetsam – Linyi and Tiger, 2007, inkjet photograph, 102 × 127 cm. Courtesy the artist and David Kelley.

Special Effects

LEO VALLEDOR, Skeedo, 1965. Acrylic on canvas, 152.4 × 325.12 cm. Photo by Katherine Du Tiel. Courtesy the artist.

ONE ON ONE: Pio Abad on Leo Valledor

Illustration by Haeri Chung.

THE POINT: Blockchain: Tree of Potential

LIU SHUYONG, Artists Gathering at Fuyuanmen Village, Yuanmingyuan, for the First Gallery Opening,1993, photograph, dimensions variable. Courtesy the artist.

That Was Then

Exterior view of Singapore Art Museum (left) and National Gallery Singapore (right). Courtesy Singapore Art Museum and National Gallery Singapore.

Double Hatting

Portrait of MOHAMMED RASHID AL-THANI. Courtesy the Institute of Arab and Islamic Art.

Mohammed Rashid Al-thani

Portrait of LONG XINRU. Courtesy the artist.

Long Xinru