Issue

Together We Might Get Away, 2019, oil on canvas, 244 × 183 cm. Unless otherwise stated, images courtesy the artist and albertz benda, New York.

INSIDE BURGER COLLECTION: Timothy Curtis

Installation view of AGATHA GOTHE-SNAPE and WRONG SOLO’s exhibition “Certain Situations,” at the Institute of Modern Art, Brisbane, 2019. Photo by Carl Warner. Courtesy Institute o

Brisbane: Agatha Gothe-snape and Wrong Solo

Installation view of YALOO’s Yaloo Seaweed Garden, 2019, projection mapping sculpture and virtual reality application, dimensions variable, at “ACT 2019: FoodHack,” Asia Culture Ce

Gwangju: Act Festival 2019: Foodhack

Installation view of CHIHARU SHIOTA’s Where Are We Going?, 2017/19, white wool, wire, and rope, dimensions variable, at “The Soul Trembles,” Mori Art Museum, Tokyo, 2019. Photo by

Tokyo: Chiharu Shiota

WU SHANZHUAN, Four Layers: Sky/Blast/ Butterfrog/Balloon, 2014, acrylic on canvas, 200 x 300.5 cm. Courtesy Long March Space, Beijing.

Beijing: Wu Shanzhuan

SIM CHI YIN, Remnants #12, 2017, giclée print on cotton rag paper, 110.5 × 110.5 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Hong Kong: Sim Chi Yin

MANUEL OCAMPO, Learning to Code pt. 6, 2019, stitched and hand-painted collages,screenprint and acrylic on canvas, 126 × 116 cm. Courtesy the artist and STPI – Creative Workshop &

Singapore: Manuel Ocampo

BANI ABIDI, Death at a 30 Degree Angle, 2012, still from video installation: 15 min.Courtesy the artist and Experimenter Gallery, Kolkata.

Berlin: Bani Abidi

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

London: Wong Ping

Installation view of MRINALINI MUKHERJEE’s “Phenomenal Nature” at the Met Breuer, New York, 2019.Courtesy the Metropolitan Museum of Art, New York.

New York: Mrinalini Mukherjee

Installation view of selected works from TRUC-ANH’s Ink Kingdom series, 2015– , ink on paper, dimensions variable, at “Where the Sea Remembers,” The Mistake Room, Los Angeles, 2019

Los Angeles: Where the Sea Remembers

South Ho Siu Nam at his desk in his Fo Tan studio.

South Ho Siu Nam

On Board with Good Business

The De-Satirized Zone

The De-Satirized Zone