Issue

BOOK REVIEWS: Tracking Transformations

BOOK REVIEWS: Tracking Transformations

Portrait of the artist HILMI JOHANDI in front of his Singapore studio. All photos by Marybeth Stock for ArtAsiaPacific unless otherwise stated.

Hilmi Johandi

Frankfurt: Alia Farid: In Lieu of What Was

Frankfurt: Alia Farid: In Lieu of What Was

The Sketch: Yee I-Lann

The Sketch: Yee I-Lann

LAWRENCE ABU HAMDAN, Conflicted Phonemes, 2012, timeline, vinyl wall print: 267 × 205 cm; voice maps: 21 × 29.7 cm. Courtesy the artist and mor charpentier, Paris.

The Art of Listening

Installation view of ANTONY GORMLEY's Blind Light, 2007, fluorescent light, water, ultrasonic humidifiers, toughened low-iron glass and aluminum, 320 × 978.5 × 856.5 cm, at “Blind

ONE ON ONE: Htein Lin on Antony Gormley

Installation view of IBRAHIM MAHAMA's A Friend, 2019, jute coal sacks, dimensions variable,at Caselli Daziari di Porta Venezia, Milan, 2019. Photo by Marco De Scalzi. Courtesy Fond

DISPATCH: Milan

YEN-CHAO LIN, The Spirit Keepers of Makuta’ay, 2019, still from single-channel video with color and sound: 10 min 57 sec. Courtesy the artist.

The Ancestral Turn

Portrait of PATRIZIA SANDRETTO RE REBAUDENGO. Photo by Stefano Sciuto. Courtesy the artist.

Patrizia Sandretto Re Rebaudengo

Portrait of SYDNEY SHEN. Courtesy the artist.

Sydney Shen

Portrait of İNCİ FURNİ. Courtesy the artist.

İnci̇ Furni̇

Installation view of Disputed Utterance, 2019, wall installation composed of seven groups of lasercut C-printsmounted on cardboard and plexiglass bases, and seven texts printed on

Lawrence Abu Hamdan: In the Ear of the Beholder

Portrait of Okwui Enwezor, artistic director of Documenta 11, in Kassel, Germany, 2002. Photo by Werner Maschmann. Courtesy Documenta Archiv, Kassel.

Remembering Okwui Enwezor

Installation view of Landscape Series #1, 2013, video and 35mm slide projection: 5 min, at Nha San Collective, Hanoi, 2013. All images courtesy the artist.

A Conversation With Nguyen Trinh Thi: Filmmaking as Resistant Poetic Amplitude