Issue

BOOK REVIEWS: Objects and Ornaments

Richard Bell in his Brisbane studio.

Richard Bell

Patty Chang

KEIICHI TANAAMI, Bizarre Theater, 2006, acrylic on screened canvas, 145.5 × 97 cm. Copyright the artist; courtesy the artist and Nanzuka, Tokyo.

Digital Terrestrials

Installation view of DANNY YUNG's Video Circle 2000, 2000, 32 television sets and video players showing loops of video works from 108 artists of the Asia-Pacific region, dimensions

ONE ON ONE: Ellen Pau on Danny Yung

Photograph of Wing on Wo & Co. storefront in New York. Image by Eric Jenkins-Sahlin. Courtesy Wing on Wo & Co., New York.

DISPATCH: New York

Illustration by Sandy Wang

THE POINT: Advising for Longevity

YOSHIDA MINORU, Epicurism of Space Universe on the Rock, 1975, photo documentation of performance at Shinnecock Beach, New York.Photo by Gary Jacquemin. Courtesy Midori Yoshida and

When Video Promised a Sci-Fi Future

Portrait of Patrick Sun. Courtesy Sunpride Foundation, Hong Kong.

Patrick Sun

Portrait of Sue Cato. Photo by Michael Young for ArtAsiaPacific.

Sue Cato

Portrait of Frank F. Yang.Courtesy Frank F. Yang Art and Education Foundation, Shenzhen / Shanghai.

Frank F. Yang

Portrait of Edmund Cheng with Dan Graham’s Elliptical Pavlilion (2017).Photo by Genevieve Chua for ArtAsiaPacific.

Edmund Cheng

Portrait of Christoph Bendick. Courtesy Norm Phanith / Somrith Creative Studio, Phnom Penh.

Christoph Bendick

Installation view of A REFLECTED LANDSCAPE, 2016, mixed-media installation with HD video, paint, and sound, dimensions variable, at the 9th Berlin Biennale, “The Present in Drag,”

Timur Si-Qin: Immanence, Infinite Difference