Issue

Illustration by Haeri Chung.

THE POINT: Blockchain: Tree of Potential

LIU SHUYONG, Artists Gathering at Fuyuanmen Village, Yuanmingyuan, for the First Gallery Opening,1993, photograph, dimensions variable. Courtesy the artist.

That Was Then

Exterior view of Singapore Art Museum (left) and National Gallery Singapore (right). Courtesy Singapore Art Museum and National Gallery Singapore.

Double Hatting

Portrait of MOHAMMED RASHID AL-THANI. Courtesy the Institute of Arab and Islamic Art.

Mohammed Rashid Al-thani

Portrait of LONG XINRU. Courtesy the artist.

Long Xinru

Portrait of SEULGI LEE standing in front of U: Split Water, made in collaboration with Nubi quilters from Tong-Yeong, 2018, Korean silk, 195 × 155 × 1 cm. Copyright the artist and

Seulgi Lee

Patty Chang: Abject, Exposed and Potent Desires

IN DEPTH: Larissa Sansour, Aki Sasamoto, Lin Jingjing and Zeynep Kayan

IN DEPTH: Larissa Sansour, Aki Sasamoto, Lin Jingjing and Zeynep Kayan

POWERFUL WOMEN - SUSAN, 1993, silver gelatin print, 50 x 50 cm. Copyright and courtesy the artist.

INSIDE BURGER COLLECTION: The Essence of Our Existence

YIN XIUZHEN, Nowhere to Land (left) and Trojan (right) 2012; 2016–17Used clothes, steel, stainless steel, mirror and vehicle light; steel frame, used clothes, 330 × 240 × 210 cm; 4

Venice: 58th Venice Biennale

ANDREW HAZEWINKEL, Part 1, The Emissaries: Keepers of Our Stories from the Ongoing Remains (3 parts), 2019Powdered pigment, gypsum cement, mild steel, 20 sculptures: 46 x 21 x 22 c

Sydney: The National 2019

HA CHONG-HYUN, Conjunction 18-12, 2018, oil on hemp cloth, 227 × 182 cm.Courtesy the artist and Kukje Gallery, Seoul/Busan.

Busan: Ha Chong-Hyun

LEE KUN-YON, Logic of Place, 1975/2019, Four gelatin sliver prints on paper, 50 x 50 cm each. Copyright and courtesy the artist.

Seoul: Lee Kun-Yong

Beijing: China Landscape