Exhibitions of 2025: Heman Chong’s “This is a dynamic list and may never be able to satisfy particular standards for completeness”

Installation view of HEMAN CHONG’s Monument to the people we’ve conveniently forgotten (I hate you), 2008, at the Singapore Art Museum (SAM), 2025. Courtesy SAM.

Issue

Dec 31, 2025

Art Fair Report: Diminishing Returns

Public Domain: Global Discourse, Global Conversation?

Issue

Dec 31, 2025

Public Domain: Global Discourse, Global Conversation?

Issue

Dec 31, 2025

Editor’s Letter: Notes on Renewal

Issue

Dec 31, 2025

Artists of 2025: Ayoung Kim

Issue

Dec 31, 2025

Artists of 2025: Ho Tzu Nyen

Issue

Dec 31, 2025

Artists of 2025: Saodat Ismailova

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Issue

Dec 31, 2025

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Issue

Dec 31, 2025

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Related articles

Art Fair Report: Diminishing Returns

Public Domain: Global Discourse, Global Conversation?

Editor’s Letter: Notes on Renewal

Artists of 2025: Ayoung Kim

Artists of 2025: Ho Tzu Nyen

Artists of 2025: Saodat Ismailova

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Exhibitions of 2025: “Early Philippine Contemporary Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”