The Editors

Visitors at the Armory Show, New York, 2009. Photo by David Willems. Courtesy the Armory Show, New York.

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ART FAIR REPORT: Old World Exodus

The Editors

The Japan Pavilion in the Giardini della Biennale, Venice, 1956.

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ARCHIVE: The Japan Pavilion

Hanae Ko

Photo illustration by Alis Atwell / ArtAsiaPacific. Photo by Allison Schulte.

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CASE STUDY: Tino Sehgal

Chin-Chin Yap

Poster for a “get out the vote” campaign in Dhaka, Bangladesh. It reads: “My Vote Is Only Mine / I Will Give It With Eyes Ears Open.” Photo by Naeem Mohaiemen.

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CURRENT AFFAIRS: Elections in Bangladesh

Naeem Mohaiemen

RIRKRIT TIRAVANIJA, Untitled (demonstration no. 145), 2007, graphite on paper, 8.3 x 11.8 in. Collection of Craig Robins, Miami. Courtesy Gavin Brown’s Enterprise, New York.

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PERSPECTIVE: Rirkrit Tiravanija

Gregory Galligan

Qiu Anxiong in front of Staring into Amnesia, 2008, at the Arken Museum, Copenhagen, Denmark, 2008. QIU ANXIONG, Staring into Amnesia, 2008, mixed-media installation, 25 x 5 m. Ins

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Qiu Anxiong: Off The Track

Andrew Cohen

GIMHONGSOK, G5, 2004, stills from single-channel video installation. Courtesy the artist.

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PREVIEWS: "Your Bright Future"

Hanae Ko

NALINI MALANI, Remembering Mad Meg, 2007, mixed-media installation, dimensions variable. Photo by Denis Mortel. Courtesy the artist.

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Nalini Malani: Her Cassandra Complex

Murtaza Vali

Museum of Non Participation banner in Karachi. Courtesy Vasl, Karachi.

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ON LOCATION: Karachi

Allison White

* The Venice Biennale officially states that there are 77 “national participations” in this year’s event. This figure includes only countries with permanent and temporary pavilions

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Preview of the 53rd Venice Biennale

Ashley Rawlings

SERIES OF VULNERABLE ARRANGEMENTS – SHADOWLESS VOICE OVER THREE, 2008, three-room installation of venetian blinds, hanging mirrors, fans, infrared-heating element,microphone and sp

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Haegue Yang: A Strange Kind of Optimism

HG Masters

Vernon Ah Kee. Photo by Nadine Saacks. Courtesy Art Gallery of New South Wales, Sydney.

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Vernon Ah Kee: everyday iachievesomething

Michael Young

MING WONG, In Love For the Mood, 2009, production still by Melanie Choi. Courtesy the artist.

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Singapore & Thailand Pavilions: Cinema Paradiso

Philip Cornwel-Smith

TO SHARE A WATERMELON WITH AN UNKNOWN PERSON, 2005, photo documentation of performance.

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Pak Sheung Chuen: The Art of Covert Intervention

Olivier Krischer

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