The Editors

OBDACH, 1997, site-specific room installation encasing a public monument in Cologne, Germany. Photo by Carsten Gliese. Courtesy the artist and Arataniurano, Tokyo. All images in th

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Tatzu Nishi: Agent of Transformation

Hanae Ko

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Break the Cycle of Seeing: Indian Minimalism

Hemant Sareen

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Redefining China's Millenials

Xhingyu Chen

WHEAT MOLLA, 2011, wheat, cotton, 20 x 11 x 6 cm. Courtesy the artist.

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Slavs and Tatars: Collective Eclecticism

HG Masters

AKIRA YAMAGUCHI, Narita International Airport: Various Curious Scenes of Airplanes, 2005 Pen and watercolor on paper, 96.5 × 76.5 cm. Photo by Kei Miyajima. Private collection, Ne

Issue

New York: Bye Bye Kitty!!!

Ashley Rawlings

JEENA SHIN, Artspace Stairwell Project (1973– ), 2009–11, Site-specific wall installation on the stairwell of Artspace, Auckland. Photo by Sam Hartnett. Courtesy Artspace, Auckland

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Auckland: Jeena Shin

Hanna Scott

HAEGUE YANG, Mourning Architectural Caution, 2009, Light sculpture, clothing rack on casters with four metal arms, light bulbs, cable, fabric, knitting yarn, fringe, cord, rope, so

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Sydney: Tell Me Tell Me

John Di Stefano

YANG FUDONG, No Snow on the Broken Bridge, 2006, 35 mm film transferred to DVD. Courtesy the artist and ShanghART Gallery, Shanghai, and Marian Goodman, Paris/New York.

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Sydney: Yang Fudong

Rachel Kent

CHEN ZHEN , Cradle Foundation, 1993, Mixed-media installation with six, silkscreen prints on glass. Courtesy Tang Contemporary Art, Beijing.

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Beijing: Tracing the Milky Way

Jonathan Goodman

A display of TSANG TSOU-CHOI’s Hong Kong passport, dated 1993, which the late artist graffitied with a string of words and numbers. Courtesy ArtisTree / Swire Properties, Hong Kong

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Hong Kong: Tsang Tsou-choi

Julia Tanski-Gilbert

MANIT SRIWANICHPOOM, Pink Man Begins #1, 1997, C-print, 50.8 x 61 cm. Courtesy the artist.

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Bangkok: Manit Sriwanichpoom

Patrick Brzeski

MICHAEL MÜLLER, Kreuz des Südens (“Southern Cross”), 2008, Varnish and pencil on paper, 61 x 44 cm. Courtesy Amrita Jhaveri Project Space, Mumbai.

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Mumbai: Michael Müller

Zehra Jumabhoy

MASAO OKABE and CHIHIRO MINATO, “The Dark Face of the Light” 2002/2011,From a series of frottage work made using paper and pencil, 550 x 350 mm. Courtesy the artists.

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Beirut: Image in the Aftermath

Nadia al-Issa

AI WEIWEI, 6/1/08, Wenchuan, China, c. 2005–09, From the series “Blog Photographs.” Courtesy the artist.

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Winterthur: Ai Weiwei

HG Masters

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