The Editors

Illustration by OLIVER RAW

Issue

THE POINT: What Are We Waiting For?

Mella Jaarsma & Nindityo Adipurnomo

RASHMI MUNIKEMPANNA, Somewhere in Delhi, India #53, one of a series of photographs of streetlamps in Delhi for the project “Come, See Where I Am From,” 2012. Courtesy the artist.

Issue

PERSPECTIVE: Performative Impulses

Jyoti Dhar

Installation view of “Theatre of the World” at Museum of Old and New Art, Tasmania, 2012. SIDNEY NOLAN’s Colonial Head—Kelly Gang (left), 1943–46, hangs alongside WIM DELVOYE’s Unt

Issue

CLOSE READ: Shock of The Old

Amelia Groom

GREG SEMU, Vic Taurewa Biddle, photograph from the “Battle of the Noble Savage” series, 2007. Copyright the artist and Musée Quai Branly, Paris.

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IN DEPTH: Greg Semu

Michael Fitzgerald

LANTIAN XIE and HALA ALI, Provision Initiative (Passport, Please), 2011, live video and performance installation at the Dubai International Finance Centre, Dubai, 2011. Courtesy th

Issue

IN DEPTH: Lantian Xie

Isabella E. Hughes

Portrait of AIDA MAHMUDOVA. Courtesy Yarat Contemporary Art Space, Baku.

Issue

INTERVIEW: Aida Mahmudova

Catherine Milner

CARLOS CELDRAN standing in front of the Leandro Locsin Cultural Centre of the Philippines during his Livin’ La Vida Imelda Tour, Manila, 2006. Photo by Juan Caguicia.

Issue

BACKSTORY: Carlos Celdran

Marlyne Sahakian

TALA MADANI, Spiral Suicide, 2012, oil on canvas, 203 x 305 cm. Courtesy of the artist and Pilar Corrias gallery, London.

Issue

Stop(ped) Making Sense

HG Masters

CHU HING WAH, The Fortune Teller, 2006, ink and color on paper. Courtesy Hanart TZ Gallery, Hong Kong.

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Gaylord Chan and Chu Hing Wah: Dong-king! Dong-king! Dong!

Tobias Berger

Installation view of the “Untitled” exhibition at Izu Photo Museum, 2010. Photo by Yasushi Ichikawa. Courtesy Taka Ishii Gallery, Tokyo, and Izu Photo Museum, Nagaizumi.

Issue

Yuki Kimura: Barely Scratching The Surface

Amelia Groom

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Expanding Asia

Various Authors

DO HO SUH, Rubbing Project III: Dae-In Market, 2012, Colored pencil and charcoal on paper, aluminum frames.

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Gwangju: 2012 Gwangju Biennale

HG Masters

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Auckland: Home AKL

Andrew Clifford

KATHY TEMIN, Pavilion Garden, 2012, Steel, fiberboard, synthetic fur, acrylic paint, pavilion 275 x 445 x 124 cm, bench 51 x 273 x 40 cm. Courtesy the artist and Anna Schwartz Gall

Issue

Melbourne: Kathy Temin

Rachel Kent

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