The Editors

KATSUYA KOMAGATA, above: Catching a Mermaid, 1998, oil on linen, 146.05 x 102.87 cm, courtesy Taka Ishii Gallery, Santa Monica, below: Dance of the Passion Flower, 1996, paper, gla

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Katsuya Komagata

Collette Chattopadhyay

MATHIAS KAUAGE, Civil War in Bougainville, 1999, acrylic on canvas, 120.5 x 183.5 cnn, courtesy Ray Hughes Gallery, Sydney.

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Mathias Kauage

Victoria Hynes

SOONJA OH KIM, Two Figures - H&W, 1998, aluminium, muriatic acid, ink, 177.8 x 116.84 x 10.16 cm, courtesy Boritzer/Gray/Hamano Gallery, Santa Monica.

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Soonja Oh Kim: Figuration

Collette Chattopadhyay

VINOD DAVE, The Divine Witness, 1998, mixed media, 173 x 150 cm, courtesy Bose Pacia Modern, New York.

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Vinod Dave: Reflections on Indian Popular Culture

Karin Miller-Lewis

ANJU DODIYA, Triumph of the Erasers, 1998, watercolour, 76.2 x 55.8 cm.

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Anju Dodiya

M.A. Greenstein

WANG XINGWEI, God, Art, Cigarettes, 1997, industrial paint on canvas. Photograph John Ryan.

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Going underground: The Corruptionists

Julian Scarff

ZHANG PEILI, Eating, 1997, video installation, The Museum of Modern Art, New York.

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Zhang Peili: Eating

Mathieu Borysevicz

LI YONGBIN, Face I, 1995-97, video installation.

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Outside the Real: A New Form of Video Art in China

Courtney Kidd

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A Response from Singapore Art Museum

Suenne Megan Tan

TATSUO MIYAJIMA, Mega Death, 1999, light-emitting diodes, dimensions variable. Photograph Toshio Shimizu.

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A Question of Balance: Japan and Korea at the 48th Venice Biennale

Toshio Shimizu

HUANG YONGPING, One Man, Nine Animals, 1999, aluminium-cast wood sculptures, dimensions variable.

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Open and everywhere: Chinese artists at the Venice Biennale

Francesca Dal Lago

David Neel on the Grand Canal with the Keeper of the Animals mask.

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Different Totems: David Neel on the Grand Canal

Paula Gustafson

ALISA LIEU-ANH KOTTMAIR, Long Live Tourism!, 1999 (detail), colour print, 105 x 85 cm;

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Gap Viet Nam: A Vietnamese Encounter in Berlin

Birgit Hussfeld

'KAKA-: extended d(I)versions from manila and california', installation view, Small Gallery, Cultural Center of the Philippines.

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Out of Order: KAKA-: extended d(I)versions from manila and california

Ana P. Labrador

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