The Editors

YAN HSIA, The Businessman, 1988, oil on canvas, 228 x 116 cm.

Issue

Exhibitions: A Veil In Between: Taipei Report

Chia Chi Jason Wang

YOON SUK NAM, Mother – Her Son and Daughter, 1992, acrylic on wood, 170 x 180 cm. collection the artist.

Issue

Exhibitions: Tried and True: Min Joong Art survey exhibition

Choi, Tae-Man

YUN SUK NAM, Genealogy, 1993, acrylic on wood and paper, 320 x 280 cm.

Issue

Staging a Culture: Korean Art at Home and Abroad

Jae-ryung Roe

SOUN-GUI KIM, Dream of the Butterfly, 1992, images from video installation. Photographs Alan Cruickshank.

Issue

The Emptiness of Emptiness Dream of the Butterfly

Soun-gui Kim

ROMULO GALICANO, Still Life, 1994, oil, 96.5 x 91.4 cm. Photograph Camarillo.

Issue

South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence

Rod Paras-Perez

ROBERTO VILLANUEVA, Panhumuko (Surrender to Nature), 1991, indoor installation, Lincoln Square Gallery, New York City.

Issue

Does the Avant-Garde Begin or End in Asia?

Keith Looby

SIMRYN GILL, Heart of the Matter, 1994, (detail) cow dung, soap, agar agar, rubber, papier-mâché, gum resin, found objects.

Issue

Annotated Singapore Diary: Censorship, performance, and the Latiff Mohidin retrospective

Ray Langenbach

ANTONIO MAK, Gravity, 1993, bronze, iron, wood, tile, 25.4 x 8.9 x 40.6 cm. Photograph Almond Chu.

Issue

An Invitation to Words: The Sculpture of Antonio Mak

David Clarke

John Pule

Issue

Lost Gods: The Paintings of John Pule

Nicholas Thomas

TIMOTHY AKIS, Tripela Birua, 1975, screen print.

Issue

Through Our Own Eyes: Contemporary Art in Papua New Guinea

John Waiko

YANG MAO-LIN, Zeelandia Memorandum L9301, 1993, (detail) oil and acrylic on canvas, 112 x 194 cm. Collection Taipei Fine Arts Museum.

Issue

Sexual Realpolitik: Sex and gender in "Art Taiwan" and "Mao Goes Pop"

Linda Jaivin

top: MIRAN FUKUDA, MOT, 1995, graphite on paper, 54 x 42 cm, courtesy Museum of Contemporary Art Tokyo.above: KATSURA FUNAKOSHI, Words Falling on Wood, 1989, painted camphor wood,

Issue

The Museum of Contemporary Art Tokyo

Takeshi Kanazawa

Installation view of 'What shall we tell them?', Auckland City Art Gallery.

Issue

What Shall We Tell Them: The Tony Fomison retrospective

Lara Strongman

Installation view of the Oceanic Galleries, St Louis Museum of Art.

Issue

Rehanging Oceania: The galleries at the St Louis Art Museum

Karen Stevenson

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