The Editors

SLAVS AND TATARS, Reverse Joy, 2012. MDF, tile, water pump, pigmented water, bowl and tile application with black paint, 241 x 241 x 41 cm.Installation view from the exhibition “Mo

Issue

Istanbul: Slavs and Tatars

Naz Cuguoğlu

ANICKA YI, The Flavor Genome (still), 2016 Single-channel 3D video installation: 22 min.Courtesy the artist and 47 Canal, New York.

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Berlin: Jaguars and Electric Eels

Gökcan Demirkazik

Installation view of “In This Vessel Lies the Philosopher’s Stone” at Galleria Continua, San Gimignano, 2017.Photo by Ela Bialkowska. Courtesy the artist and Galleria Continua.

Issue

San Gimignano: Subodh Gupta

Alessandra Alliata Nobili

HITO STEYERL, HellYeahWeFuckDie, 2017. Three-channel video installation: 4 min.Photo by Henning Rogge. Courtesy Skulptur Projekte Münster.

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Münster: Skulptur Projekte Münster

Andrew Stooke

Installation view of “Mondialité” with Zig Zag by ALIGHIERO BOETTI in the foreground, at Bhogossian Foundation’s Villa Empain, Brussels, 2017. Courtesy Bhogossian Foundation.

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Brussels: Mondialité

Rathsaran Sireekan

FAHRELNISSA ZEID, Fight Against Abstraction, 1947, oil on canvas, 101 x 151 cm.Courtesy Raad Zeid Al-Hussein and Istanbul Museum of Modern Art.

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London: Fahrelnissa Zeid

Ned Carter Miles

GAUTAM KANSARA, Don’t Hurry, Don’t Worry (stills), 2010. Single-channel video with sound: 14 min 58 sec. Courtesy the artist.

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New York: Lucid Dreams and Distant Visions

Diana Seo Hyung Lee

DEL KATHRYN BARTON, To Speak of Anger, I Will Take Care, 2017Acrylic and archival pigment ink on rag, 198 x 140 cm.Courtesy the artist and Albertz Benda, New York.

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New York: Del Kathryn Barton

Mimi Wong

AN TE LIU, The Party’s Over, 2017 Cast bronze, diameter of 30.5 cm.Courtesy the artist and Anat Egbi, Los Angeles.

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Los Angeles: An Te Liu

Jennifer S. Li

(Top) THE STAKES OF EXPOSURE: ANXIOUS BODIES IN POSTWAR JAPANESE ART,By Namiko Kunimoto, Published by the University of Minnesota Press, Minnesota, 2017.Softcover with black-and-wh

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BOOK REVIEWS: Where was Radicalism?

David Frazier

Chung Seoyoung

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Chung Seoyoung

The Editors

Issue 105

Magazine

Issue 105

Sep/Oct 2017

ZHANG HUAN. 12 Square Meters, 1994. Documentation of a 40-minute performance. Courtesy the artist.

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ONE ON ONE: Khvay Samnang on Zhang Huan

Khvay Samnang

Installation view of MART A MINUJÍN’s The Parthenon of Books, 2017, steel, books and plastic sheeting, 19.5 x 29.5 x 65.5 m, at Friedrichsplatz, Kassel, 2017. Photo by Roman März.

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Athens & Kassel: Documenta 14

HG Masters

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