The Editors

ALFREDO AND ISABEL AQUILIZAN, Flight, 2017, Screen print on acetate film with LED light, 115 x 170 x 6.4 cm. Installation view of “Of Fragments and Impressions” at STPI – Creative

Issue

Singapore: Isabel and Alfredo Aquilizan

Marybeth Stock

SHARON CHIN, Weeds Series, 2013, Fabric paint and wax crayon on polyester flags, 75 x 154 cm.Courtesy the artist and Ilham Gallery, Kuala Lumpur.

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Kuala Lumpur: Ilham Contemporary Forum Malaysia 2009-2017

Beverly Yong

RAMIN HAERIZADEH, To Be or Not To Be, That is the Question. And Though, it Troubles the Digestion, 2015-17,Mixed media collage on found oil painting and polycarbonate chair with pr

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Dubai: Ramin Haerizadeh

Lesley Ann Gray

HRAIR SARKISSIAN, Horizon, 2016, Two-channel video installation: 6 min 58 sec. Photo by Christopher Baaklini. Courtesy the artist and Kalfayan Galleries, Athens/Thessaloniki.

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Beirut: Hrair Sarkissian

Marlyne Sahakian

CANAN, Bird Woman, 2017, Installation with natural stone and stone carvings, dimensions variable.Installation view of “Behind Mount Qaf” at Arter – Space for Art, Istanbul, 2017.Ph

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Istanbul: Canan

Gökcan Demirkazik

AMAR KANWAR, Such a Morning, 2017, Single-channel video installation with color and sound: 85 min.Installation view of “Such a Morning” at Marian Goodman Gallery, London.Copyright

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London: Amar Kanwar

Ned Carter Miles

MOATAZ NASR, El Shaab (The People), 2012, Twenty-five ceramic figures, 27 x 6 x 10 cm each.Courtesy Barjeel Art Foundation, Sharjah.

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Annandale-On-Hudson: No to the Invasion: Breakdowns and Side Effects

Sara Raza

LIN TIANMIAO, Protruding Patterns, 2014, Wool thread, yarn, acrylic, dimensions variable.Installation view of “Protruding Patterns,” at Galerie Lelong, New York, 2017.Copyright the

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New York: Lin Tianmiao

Mimi Wong

AMIR H. FALLAH, Split Between Faraway Lands, 2017, Acrylic on canvas, 122 x 122 cm.Courtesy the artist and Shulamit Nazarian, Los Angeles.

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Los Angeles: Amir H. Fallah

Jennifer S. Li

STATE OF EMERGENCY II: THE 4TH WALL, By Noh Suntag, Published by Art Sonje Center, Seoul, 2017. Softcover, 263 pages.DELIRIUM AND RESISTANCE: ACTIVIST ART AND THE CRISIS OF CAPITAL

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BOOK REVIEWS: Art and Resistance

Wilfred Chan

Husband-and-wife artist duo Tun Win Aung and Wah Nuon the rooftop balcony of their home-studio.

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Tun Win Aung and Wah Nu

Elaine W. Ng

Jumana Emil Abboud

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Jumana Emil Abboud

The Editors

Palestinian artist *MONA HATOUM* is Whitechapel Gallery's Art Icon of 2018. Photo by Jim Rakete. Courtesy the artist and Galerie Chantal Crousel, Paris.

News

Mona Hatoum Named Whitechapel Gallery’s 2018 Art Icon

Julee WJ Chung

Exterior view of The Feuerle Collection in Berlin. Photo by Def Image. Courtesy The Feuerle Collection.

Ideas

Uncommon Scents: The Opening of the Feuerle Collection’s Incense Room

Ned Carter Miles

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