The Editors

Portrait of Khvay Samnang. Courtesy Edouard Malingue Gallery, Hong Kong/Shanghai.

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Khvay Samnang

Ophelia Lai

Ma Qiusha: Cutting Through Histories

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Ma Qiusha: Cutting Through Histories

Tom Mouna

Anita Dube: Naked and Knife-sharp

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Anita Dube: Naked and Knife-sharp

Jyoti Dhar

ISADORA VAUGHAN, Canker Sore, 2018, ceramic, epoxy, synthetic polymer sheet, steel, glass, silicon, crushed rock and sand, dimensions variable. Installation view at “From Will to F

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TarraWarra: TarraWarra Biennial

Eloise Breskvar

KUNIÉ SUGIURA, Hoppings A Positive, 1996, gelatin silver print, 8 x 10 cm. Courtesy Taka Ishii Gallery, Tokyo/New York.

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Tokyo: Kunié Sugiura

Maki Nishida

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Shanghai: Cheng Ran

Arthur Solway

Beijing: Shoji Ueda

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Beijing: Shoji Ueda

Tom Mouna

CAO FEI, Rumba, 2015–18, wooden stage and cleaning robots, dimensions variable. Installation view of “A Hollow in a World Too Full” at Tai Kwun Contemporary, Hong Kong, 2018–19. Co

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Hong Kong: A Hollow in a World Too Fulls

Ysabelle Cheung

Jakarta: Indonesia, Spirit of the World

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Jakarta: Indonesia, Spirit of the World

Vera Mey

Ramallah: Subcontracted Nations

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Ramallah: Subcontracted Nations

Brady Ng

London: Five Heads (Tavan Tolgoi) – Art, Anthropology and Mongol Futurism

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London: Five Heads (Tavan Tolgoi) – Art, Anthropology and Mongol Futurism

Ned Carter Miles

New York: the Progressive Revolution: Modern Art for a New India

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New York: the Progressive Revolution: Modern Art for a New India

Mimi Wong

TADANORI YOKOO, “Back of Head” series, 1980, 21 watercolor works on paper, 69 x 54.5 cm each. Installation view of “Death and Dreams” at Albertz Benda, New York, 2018. Photo by Cas

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New York: Tadanori Yokoo

Mimi Wong

SIAH ARMAJANI, Room for Deportees, 2017, from the series “Seven Rooms of Hospitality,” 2017. Metal, wood, barbed wire, mailbox, hat and purse, 243.8 x 305.4 x 111.1 cm. Installatio

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Minneapolis: Siah Armajani

Joobin Bekhrad

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