The Editors

*HE DUOLING*’s inflatable sculpture _The Thinking Rabbit_ (2019) greeted visitors at the village’s entrance, which is close to a metro station.

Ideas

Highlights From the First Guangzhou Airport Biennale

Pamela Wong

Installation view of *XIE NANXING*'s “A Gift Like Kung Pao Chicken,” at Thomas Dane Gallery, London, 2019. Photo by Ben Westoby. Copyright the artist. Courtesy the artist and Thoma

Imported

A Gift Like Kung Pao Chicken

Ned Carter Miles

PATTY CHANG, Flotsam Jetsam – Linyi and Tiger, 2007, inkjet photograph, 102 × 127 cm. Courtesy the artist and David Kelley.

Issue

Special Effects

Elaine W. Ng

LEO VALLEDOR, Skeedo, 1965. Acrylic on canvas, 152.4 × 325.12 cm. Photo by Katherine Du Tiel. Courtesy the artist.

Issue

ONE ON ONE: Pio Abad on Leo Valledor

Pio Abad

Illustration by Haeri Chung.

Issue

THE POINT: Blockchain: Tree of Potential

Misha Libman and Andrey Alekhin

LIU SHUYONG, Artists Gathering at Fuyuanmen Village, Yuanmingyuan, for the First Gallery Opening,1993, photograph, dimensions variable. Courtesy the artist.

Issue

That Was Then

Antony Dapiran

Exterior view of Singapore Art Museum (left) and National Gallery Singapore (right). Courtesy Singapore Art Museum and National Gallery Singapore.

Issue

Double Hatting

Patricia Chen

Portrait of MOHAMMED RASHID AL-THANI. Courtesy the Institute of Arab and Islamic Art.

Issue

Mohammed Rashid Al-thani

Sara Raza

Portrait of LONG XINRU. Courtesy the artist.

Issue

Long Xinru

Tom Mouna

Portrait of SEULGI LEE standing in front of U: Split Water, made in collaboration with Nubi quilters from Tong-Yeong, 2018, Korean silk, 195 × 155 × 1 cm. Copyright the artist and

Issue

Seulgi Lee

Melanie Pocock

Issue

Patty Chang: Abject, Exposed and Potent Desires

Ysabelle Cheung

IN DEPTH: Larissa Sansour, Aki Sasamoto, Lin Jingjing and Zeynep Kayan

Issue

IN DEPTH: Larissa Sansour, Aki Sasamoto, Lin Jingjing and Zeynep Kayan

HG Masters, Ysabelle Cheung, Chloe Chu, Ophelia Lai

POWERFUL WOMEN - SUSAN, 1993, silver gelatin print, 50 x 50 cm. Copyright and courtesy the artist.

Issue

INSIDE BURGER COLLECTION: The Essence of Our Existence

Astrid Mania

YIN XIUZHEN, Nowhere to Land (left) and Trojan (right) 2012; 2016–17Used clothes, steel, stainless steel, mirror and vehicle light; steel frame, used clothes, 330 × 240 × 210 cm; 4

Issue

Venice: 58th Venice Biennale

HG Masters

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