The Editors

YAO QINGMEI, Dance! Dance! Bruce Ling!, 2013.Video documentation of performance: 12 min. Courtesy the artist and Taikang Space, Beijing.

Issue

Beijing: Dance With It

Tom Mouna

ZENG FANZHI, Untitled, 2018 Oil on canvas, 100 × 80 cm. Courtesy the artist and Hauser & Wirth,Hong Kong/London/Los Angeles/New York/Somerset/St. Moritz/Gstaad/Zürich.

Issue

Hong Kong: Zeng Fanzhi

Christine Chan Chiu

SORNCHAI PHONGSA, Alien Capital, 2018Mixed-media installation, 8 × 8 × 3.5 meters. Installation view at “Beyond Bliss,” Bangkok Art Biennale, 2018–19.Courtesy the artist and Bangko

Issue

Bangkok: Bangkok Art Biennale

Sally Lai

OUMAYA ALIEH SOUBRA, Ombre et Lumière [Shadow and Light], c. 1982. Oil on paper, 50.2 × 70.3 cm. Photo by Gökcan Demirkazık for ArtAsiaPacific

Issue

Beirut: Oumaya Alieh Soubra

Gökcan Demirkazik

WONG PING, FRUITPUNCH – We Want More, 2010.Single-channel HD video: 5 min 58 sec. Courtesy the artist and Edouard Malingue Gallery, Hong Kong/Shanghai.

Issue

Berlin: The D-tale, Video Art from the Pearl River Delta

Clara Tang

KORAKRIT ARUNANONDCHAI with ALEX GVOJIC and BOYCHILD, No history in a room filled with people with funny names 5, 2018.Three-channel video installation, 30 min 44 sec. Installatio

Issue

London: Korakrit Arunanondchai

Piers Masterson

YUKULTJI NAPANGATI, Untitled, 2017.Acrylic on linen, 182.2 × 151.8 cm.Courtesy the artist and Salon 94, New York.

Issue

New York: Yukultji Napangati

Hyunjee Nicole Kim

JEJU ISLAND, By Oksun Kim. Published by Hatje Cantz, Berlin, 2018 Hardcover, 176 pages. FOREST, By Yan Wang Preston, texts by Zelda, Cheatle and Nadine BarthPublished by Hatje Cant

Issue

BOOK REVIEWS: Forest of Lost Trees

Wilfred Chan

MEMENTO MORI, 2018, pigmented ink, acrylic silkscreen medium, crushed glass, glitter acrylic paint and acrylic paint on canvas, 200 × 400 cm. All images copyright the artist; court

Issue

Keiichi Tanaami: Demekin Memories

Brady Ng

XIAO LU, 15 Gunshots . . . from 1989 to 2003, 2003.15 black-and-white digital prints, framed then punctured by a bullet, 100 × 45 × 15 cm each.Installation view of “Xiao Lu: Imposs

Issue

Sydney: Xiao Lu

Michael Young

BAHC YISO, Capital=Creativity, 1996.Acrylic on paper, 50 × 81 cm. Courtesy National Museum of Modern andContemporary Art, Seoul/Gwacheon/Cheongju.

Issue

Gwacheon: Bahc Yiso

Victoria Sung

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Taipei: Taipei Biennial 2018

Brady Ng

HO TZU NYEN, The Nameless, 2015.Single-channel video installation with color and sound: 21 min 37 sec. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Issue

Chiang Mai: Diaspora

David Wills

ASTHA BUTAIL, (Forever) Embedded Memory, 2014.Archival paper, oak wood and reeds, 55 × 56 × 125 cm.Installation view of “In the Absence of Writing” at 24, Jor Bagh, New Delhi, 2019

Issue

New Delhi: Astha Butail

Ned Carter Miles

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