The Editors

Installation views of Elevator Pitch, created in collaboration with New Orleans Airlift and Rick Snow, 2019, mild steel, stainless steel, copper, acrylic, cypress, electronic instr

Issue

IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

Ysabelle Cheung, Ophelia Lai, HG Masters, Chloe Chu

MEIRO KOIZUMI, Air #1, 2016, oil on printed canvas, 40 x 60 cm. Takashi Collection, Tokyo. All photos by HG Masters for ArtAsiaPacific.

Issue

Nagoya and Toyota: Aichi Triennale 2019

HG Masters

Installation view of ANTONY GORMLEY's Blind Light, 2007, fluorescent light, water, ultrasonic humidifiers, toughened low-iron glass and aluminum, 320 × 978.5 × 856.5 cm, at “Blind

Imported

Htein Lin on Antony Gormley

Htein Lin

Imported

Thinking Outside the (Fair) Box

Heather Hubbs

Portrait of PATRIZIA SANDRETTO RE REBAUDENGO. Photo by Stefano Sciuto. Courtesy the artist.

Imported

The Commissioner

Elaine W. Ng

Installation view of WANG BO’s The Orbit, 2019, two-channel video installation: 8 min 47 sec and 22 min 5 sec, dimensions variable, at “The Racing Will Continue, The Dancing Will S

Imported

The Racing Will Continue, The Dancing Will Stay

Pamela Wong

Imported

Homemade RC Toy

Victoria Sung

News

Hong Kong’s K11 Musea Unveils Art Collection

Evelyn Goh

Installation view of *SHIH CHIEH HUANG*’s exhibition “Incubate,” at Ronald Feldman Gallery, New York, 2019. Photo by Vince Ruvolo. Courtesy the artist and Ronald Feldman Gallery.

Ideas

Simulation and Preservation: How the Invented Worlds of Post-Internet Artists Are Bringing Us Back to Earth

Rosanna Lee

*JOHN GERRARD*, _Exercise (Dunhuang) 2014_, 2014, simulation, dimensions variable. Courtesy the artist.

Ideas

Drawing Lines in the Sand

Nathan Geyer

*CLAIRE RICHARDSON* will join Melbourne's Australian Centre for Contemporary Art (ACCA) as executive director this October. Courtesy ACCA.

News

Claire Richardson Appointed Executive Director of Australian Centre for Contemporary Art

Evelyn Goh

The International Committee for Museums and Collections of Modern Art is the latest body to speak out against the Aichi Triennale's closure of

News

CIMAM Calls For Reopening Of Aichi Censorship Exhibition

Cassie Liu

Installation view of the costumes worn in *ZADIE XA*’s performance _Grandmother Mago_, 2019, mixed media, dimensions variable, at “Child of Magohalmi and the Echos of Creation,” Ya

Imported

Child of Magohalmi and the Echos of Creation

Lesley Ann Gray

Issue

IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

Nagoya and Toyota: Aichi Triennale 2019

Htein Lin on Antony Gormley

Thinking Outside the (Fair) Box

The Commissioner

The Racing Will Continue, The Dancing Will Stay

Homemade RC Toy

Hong Kong’s K11 Musea Unveils Art Collection

Simulation and Preservation: How the Invented Worlds of Post-Internet Artists Are Bringing Us Back to Earth

Drawing Lines in the Sand

Claire Richardson Appointed Executive Director of Australian Centre for Contemporary Art

CIMAM Calls For Reopening Of Aichi Censorship Exhibition

Child of Magohalmi and the Echos of Creation

THE POINT: Thinking Outside the (Fair) Box