The Editors

Up Close: Ho Rui An

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Up Close: Ho Rui An

HG Masters

The Sketch: Sawangwongse Yawnghwe

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The Sketch: Sawangwongse Yawnghwe

The Editors

Issue 117

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Issue 117

Mar/Apr 2020 US$ 21.00

*YEE I-LANN*, _Tikar-A-Gagah_ (detail), 2019, pandanus weave and commercial chemical dye (split bamboo weave, black natural dye, and stitched bamboo weave on the reverse side), cre

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Editor’s Letter: On the Other Side of Fear

Elaine W. Ng

Installation view of (left) *MARJETICA POTRC*'s _Caracas: Growing Houses_, 2012, building materials and infrastructure for energy and water supply and communication, 480 x 745 x 31

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Dispatch: Berlin: Breaking Down Walls

Clara Tang

Illustration by Renee Li.

Issue

The Point: Remember when contemporary art solved the climate crisis?

Sean Raspet

Installation view of Perrotin's booth at Taipei Dangdai, Taipei Nangang Exhibition Center, 2020. Courtesy Perrotin, Paris /Hong Kong / New York / Seoul / Tokyo / Shanghai.

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117 Art Fair Report: Riding the Storm

The Editors

Portrait of *HARYANTO ADIKOESOEMO*. Photo by Yuwono Widiasta. Courtesy Museum MACAN, Jakarta.

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Haryanto Adikoesoemo: Pillar for Syncretism

Chloe Chu

Portrait of *CHLOE SUEN*. Photo by Esther Chan for _ArtAsiaPacific_.

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Chloe Suen: Deep Roots

Lauren Long

_Tikar-A-Gagah_ (detail), 2019, split bamboo weave, black natural dye, and stitched bamboo weave (pandanus weave and commercial chemical dye on the reverse side), created with assi

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A Conversation With Yee I-lann: Rolling out the Tikar

Beverly Yong

Up Close: Li Ran

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Up Close: Li Ran

Ophelia Lai

Installation view of *TSANG KIN-WAH*'s _The Fourth Seal - HE Is To No Purpose And HE Wants To Die For The Second Time_, 2010, digital video and sound installation with color, stere

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Inside Burger Collection 33: A Conversation with Tsang Kin-Wah

David Ho Yeung Chan

*ALFONSO OSSORIO*, _Male and Female from Congregations_, 1965, mixed media on panel, 210.8 x 8.7 x 31.8 cm. Courtesy the Robert U. Ossorio Foundation and Michael Rosenfeld Gallery,

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Singapore: Singapore Biennale 2019

Louis Ho

Installation view of *SOFU TESHIGAHARA*'s _Kikansha (Locomotive)_, 1951, iron, palms, chrysanthemum, pampas grass, 211 x 275 x 92 cm, at Taka Ishii Gallery, Tokyo, 2019. Courtesy t

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Tokyo: Sofu Teshigahara

Michael Rasnic

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