Issue
Editor’s Letter: A Constellation of Presence
Elaine W. Ng
The Editors
Sponsored
Art Busan and Tokyo Gendai Announce Collaborative Project CONNECT
Partnership with Art Busan AND Tokyo Gendai
Shows
Li Ran’s “The Signs Are Present”
For his first solo show at Lisson Gallery in Los Angeles, Li Ran debuted paintings that capture the unmoored contemporary age as well as the Shanghai-based artist’s uncertainties toward religion, philosophy, and even the art community. JENNIFER S. LI
People
Breaking New Ground: Interview with Pascal de Sarthe
Elaine W. Ng speaks to Pascal de Sarthe on the eve of the gallery’s expansion into a new larger space in Wong Chuk Hang. ELAINE W. NG
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Issue 145
Sep/Oct 2025 US$ 25.00
Magazine
Issue 145
Sep/Oct 2025
Shows
“To Save and to Destroy” at BANK NYC
Taking its title from South Vietnamese-born American novelist Viet Thanh Nguyen’s essay collection, “To Save and to Destroy” at BANK NYC compelled us to examine not what history tells us, but what it forgets. XINTIAN TINA WANG
Shows
“Layered Medium: We Are in Open Circuits” at Manarat Al Saadiyat
The ongoing process of cultural transmission underpinned “Layered Medium: We are in Open Circuits,” the first major showcase of Korean contemporary art in the Gulf, co-curated by Maya El Khalil and Kyung-Hwan Yeo. RAVAIL KHAN
News
Weekly News Roundup: August 25, 2025
THE EDITORS
News
Özge Ersoy Appointed Executive Director of Asia Art Archive
Sanle Yan
News
Documenta 16 Announces All-Female Curatorial Team
SANLE YAN
News
Bangkok Art Center Censored Works After Chinese Embassy Pressure
THE EDITORS
Shows
Up Close: Chan Hau Chun
In her latest solo exhibition at Hong Kong’s Empty Gallery, “Map of Traces,” Chan Hau Chun’s titular experimental documentary film revisited troubling past events in the city to probe the entanglements of memory, loss, and survival. SANLE YAN
News
Weekly News Roundup: August 19, 2025
THE EDITORS