The Editors

*MITI RUANGKRITYA*, _Sunset on Unnamed Lanes - Untitled (#02)_, 2020, giclee print on Signbond, 96.5 x 112.5 x 3.5 cm. Courtesy the artist.

Issue

Miti Ruangkritya: Signs of Transition

Chloe Chu

Installation view of

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Mutter, Ich Bin Dumm!: Biography as Fiction in Evelyn Taocheng Wang’s “Reflection Paper”

Hendrik Folkerts

_Erosion Machine No. 4_, 1969, Plexiglas, metal racks and fittings, plastic, water pump, LED lights, black light, pebbles, four erosion rocks, and wood base, 38.1 x 63.5 x 22.86 cm

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Carl Cheng: Research and Development

HG Masters

124 Up Close: Jes Fan

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124 Up Close: Jes Fan

OPHELIA LAI

*BIANCA KENNEDY*, _Bath the Pain Away_, 2021, still from silent movie: 30 min. All images produced by the artist; courtesy the artist, unless otherwise stated.

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Inside Burger Collection 40: Take Me Away: On the Works of Bianca Kennedy

On the Works of Bianca Kennedy Kimberly Bradley

Dar Jacir's urban farm was burned to the ground after nearby clashes between protesters and Israeli security forces. Photo by and courtesy Aline Khoury.

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124 Main News: Cultural Solidarity for Palestinians Surges After Israeli Attacks

The Editors

Portrait of LI BINYUAN. Courtesy Sovereign Art Foundation, Hong Kong.

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124 News Sections

The Editors

Installation view of *ANGELO PLESSAS*'s _The Noospheric Society_, 2021, multimedia installation, dimensions variable, at

Issue

13th Gwangju Biennale: “Minds Rising, Spirits Turning”

Andy St. Louis

Installation view of *COOKING SECTIONS*'s _Salmon: A Red Herring_, 2020, removal of farmed salmon from the institution, cyclorama, powder-coated steel, silk, ETC ColorSource CYC li

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13th Shanghai Biennale: “Bodies of Water”

Hutch Wilco

Installation view of *YHONNIE SCARCE*'s _Missile Park_, 2021, zinc sheet, steel frame, earth magnets, bitumen paint, shellac, and hand-blown glass, dimensions variable, at

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Melbourne: Yhonnie Scarce: Missile Park

Michaela Bear

*MANBO KEY*, _Father, Dong Shi_, from _Father's Video Tapes_ series, 2018, archival pigment print, mixed media, 59 x 88 cm. Courtesy the artist.

Issue

Taipei: Manbo Key: Father’s Video Tapes_Avoid A Void

Christopher Whitfield

*ADAM PENDLETON*, _Untitled (WE ARE NOT)_, 2020, silkscreen ink on canvas, 243.8 x 304.8 cm. Copyright the artist. Courtesy Pace, London/Palo Alto/Seoul/Hong Kong/Geneva/New York/

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Hong Kong: David Adjaye and Adam Pendleton

Ophelia Lai

*SEHER SHAH*, _Ruined Score_, 2020, etchings on Velin Arches 300 gsm paper, 50 x 40 cm. Courtesy the artist and Green Art Gallery, Dubai.

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Dubai: Seher Shah: When Words Disappear into Trees

Ruba Al-Sweel

*ETEL ADNAN*, _To the Ocean_, 2017, engraving, 47 x 38 cm. Copyright the artist, Galerie Lelong & Co., Paris/New York.

Issue

Istanbul: Etel Adnan: Impossible Homecoming

Matt Hanson

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