The Editors

Screenshot of <b>ZHANG XIAOGANG</b>’s <i>Bloodline: Big Family</i>, 2006, oil on canvas, 160 × 200 cm, and SERGEY MASLOV’s Untitled (Kamasutra), 2000, oil on canvas, 80 × 60 cm, at

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Almaty: Olga Veselova

The Editors

Exterior view of the third smoke plume on the north west of the warehouse, from <b>FORENSIC ARCHITECTURE</b>’s <i>The Beirut Port Explosio</i>n, 2020, still from video: 11 min 58 s

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Beirut: State of Siege

Stefan Tarnowski

<b>DINA MIMI </b>and <b>MIN-KYUNG CHOI</b>, <i>Episode 4. the parrot above my head, </i>from the Channel Greenhouse series, 2020, still from video: 12 min 5 sec. Courtesy the artis

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Ramallah: Collectively at Home

Lara Khaldi & Amani Yaqob

<b>SIBEL HORADA</b>, <i>The Division [Taqsim] of Water</i>, 2020, still from video: 10 min 28 sec. Courtesy the artist and Saha, Istanbul.

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Istanbul: Sibel Horada: Flowing Through

Sibel Horada

Installation view of <b>TRISHA BAGA</b>’s <i>1620</i>, 2020, two-channel projection with 2D and 3D video, color, sound: 35 min, at “the eye, the eye and the ear,” Pirelli Hangar Bi

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New York: Stories of Struggle

Herb Tam

Screenshot of the Yokohama Triennale 2020 press conference. Image by Peter Chung for <i>ArtAsiaPacific</i>.

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Festivals of 2020: Remotely Together

HG masters

Installation view of <b>KHADIM</b> <b>ALI</b>’s <i>Invisible Border 2</i>, 2020, hand and machine embroidered, stitched and dye ink on fabric, 260 × 220 cm, at Lahore Biennale 02,

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Festivals of 2020

THE EDITORS

<b>TETSUMI KUDO</b>, <i>Human Bonsai – Freedom of Deformity – Deformity of Freedom</i>, 1979, artificial soil, resin, plastic, wood, paint, cotton, wire, metal chain, and glass bea

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Exhibitions of 2020: Lessons In Survival

OPHELIA LAI

Installation view of <b>HƯƠNG NGÔ</b>’s <i>Up Against The</i>, 2017, invisible ink on sulphite pulp paper, bottle of iodine, nine prints, dimensions variable, at “Lost From View,”

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Exhibitions of 2020

THE EDITORS

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Previews: Up Next

The Editors

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Agenda 2021: Festivals and art fairs for an unpredictable world

THE EDITORS

<b>KEN</b> <b>LUM</b>, <i>Melly Shum Hates Her Job</i>, 1989, digital print for billboard, dimensions variable. Courtesy the artist.

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News: Young Thirty Years

hg masters

A masked visitor at the May 15 opening of

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Big Story: Fits and Stars

Chloe Chu

Installation view of <i>Buddha Seokgamoni Preaching to the Assembly on Vulture Peak</i> (1755), repatriated by the Los Angeles County Museum of Art (LACMA). Courtesy LACMA.

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Public Domain: Crisis Response

Pamela Wong

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