The Editors

<b>BHUPEN KHAKHAR</b>, <i>Sheikh Shoe Mart</i>, 1997, oil on canvas, 83.8 × 83.8 cm. Courtesy Sotheby's.

Issue

Auction Report: Confidence Boost

The Editors

Installation view of <b>EMILY FLOYD'</b>s <i>Surplus Labor</i> (2022) series, presented by Anna Schwartz Gallery at the Melbourne Art Fair, 2022. Courtesy the artist and Anna Schwa

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Art Fair Report: Tokens of the Future

The Editors

MARCELLO KWAN

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Whispering Gallery: A Tale of Many Covids

DT

Exterior view of documenta Halle, Kassel, 2021. Photo by Nicolas Wefers. Courtesy documenta fifteen.

Issue

Previews: documenta fifteen

The Editors

Installation view of <b>HAN MENGYUN'</b>s <i>The Pavilion of Three Mirrors</i>, 2021, polished metal sheet, steel, and paintings, dimensions variable, at the 2021 Diriyah Biennale,

Issue

New Currents: Everyday Poetry

Pamela Wong, Chloe Chu, Nicole M. Nepomuceno

Exterior view of <b>GUDSKUL</b>, Jakarta, 2020. Courtesy Gudskul and documenta fifteen, Kassel.

Issue

Bad Students, Gudskuls

Alternative art education in Southeast Asia Chloe Chu

Portrait of <b>TSUBASA KATO</b>. Photo by Kana Tarumi. Courtesy the artist.

Issue

Tsubasa Kato: Collective Possibilities

Pamela Wong

Portrait of <b>SHUBIGI RAO</b>. Courtesy Kathrin Leisch.

Issue

Shubigi Rao: Stories of Creation and Destruction

Chloe Chu

A carnival with banners by <b>TARING PADI</b> remembering four years of the Lapindo Mud Tragedy in Siring Barat, Porong, Sidoarjo, East Java, 2010. Courtesy the artists.

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Taring Padi: Solidarity in Public Space

Kerstin Winking

Installation view of

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Jumana Manna: Sustaining Resilience

HG Masters

<b>TAMMY NGUYEN</b>, <i>Commander of the Sea, Chou En-Lai</i>, 2021, watercolor, vinyl paint, pastel, and metal leaf on paper stretched over panel, 61.0 x 50.8 cm. Courtesy the art

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Up Close: Tammy Nguyen’s Freehold

HG Masters

Details from <b>VAGINAL DAVIS</b>'s memorabilia and ephemera, dimensions variable, at

Issue

Inside Burger Collection: Vaginal's Veil

Hendrik Folkerts

<b>MATIAS DUVILLE</b>, <i>Petrified Dream</i>, 2021, charcoal on Tyvek, 350 x 600 cm. Photo by Document Photography. Courtesy the artist and the Biennale of Sydney.

Issue

Sydney: 23rd Biennale of Sydney

Jane O'Sullivan

<b>VIVIENNE BINNS</b>, <i>Somebody's everyday, somewhere, sometime</i>, 2009, synthetic polymer paint on canvas, 152 x 183 cm. Photo by Tim Herbert. Courtesy the Monash University

Issue

Melbourne: Vivienne Binns

Hilary Thurlow

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