Issue
Comprising more than 300 works, “Ruth Asawa: Retrospective,” which began its two-year tour at the San Francisco Museum of Modern Art (SFMOMA) in April, explored six decades of the artist’s groundbreaking practice. Arthur Solway
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Returning for its 24th edition from September 3 to 7 at COEX in Seoul, Kiaf SEOUL 2025 will feature 175 galleries from over 20 countries and territories. Partnership with Kiaf SEOUL
Shows
The elusive and ever-intriguing phenomenon of water saturated “Shallow Shore, Deep Well,” Eda Şarman’s latest solo exhibition at Ferda Art Platform. MATT A. HANSON
Shows
At Hong Kong’s Podium gallery, “Ballet with the Devil” explored the entanglements of desire and subjectivity through a range of paintings and installations. STELLA WU
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THE EDITORS
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Sydney-based Singaporean artist Suzann Victor’s latest solo exhibition at Gajah Gallery Singapore attests to nearly three decades of the artist’s rigorous experimentation. Partnership with Gajah Gallery Singapore
People
Gu’s evanescent, almost spectral characters emerge from atmospheric color fields, then dissolve again like memories half-remembered or dreams half-forgotten. LOUIS LU
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SANLE YAN
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THE EDITORS
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The Jakarta- and Bandung-based collective’s first solo exhibition in Korea at SongEun Art and Cultural Foundation presented works spanning 19 years, including newly commissioned installations. Stefanie Hessler
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STELLA WU
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ETHAN LUK
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The Editors
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Christine Sun Kim’s solo exhibition “All Day All Night” at the Whitney Museum of American Art in New York brought together charcoal drawings, murals, video installations, and sculptures, all orbiting a central theme: sound as social currency. XINTIAN TINA WANG
