The Editors

Photo documentation of <b>DUMB TYPE</b>’s <i>Voyage</i>, 2002, performance: 68 min, in Toulouse, 2002. Photo by Kazuo Fukunaga. All images copyright the artists and courtesy The Ja

Issue

Tokyo: An Interview with Yoko Takatani of Dumb Type

Pamela Wong

<b>JOYCE HO</b>, <i>DOTS</i>, 2021, still from single-channel video: 1 hr 36 min. Courtesy the artist and the National Taiwan Museum of Fine Arts, Taichung.

Issue

Taipei: Rooting, Grounding, and Centering

Daphne Chu

Installation view of <b>KARRABING FILM COLLECTIVE</b>'s <i>The Jealous One</i>, 2017, single-channel video with sound and color: 29 min 29 sec, at

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Shanghai: Conflicting Cycles

Michelle Yeonho Hyun

Installation view of <b>PIO ABAD</b>'s<i> The Collection of Jane Ryan & William Saunders</i>, 2014, 40 giclee prints on semigloss paper, mounted on Dibond, dimensions variable, at

Issue

Manila: An Interview with Pio Abad

Nicole M. Nepomuceno

Installation view of <b>SHARON LEE</b>'s <i>If Tomorrow Never Comes</i>, 2021-22, double-layered mounted inkjet print on paper, lightbox, and single channel video, each 160 x 160 c

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Hong Kong: An Interview with Sharon Lee

Tiffany Luk

The Ismail Marzuki Park Plaza in Jakarta with a mural depicting the late painter Raden Saleh. Image via Wikimedia Commons.

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Jakarta: Decentralized Dilemma

Chabib Duta Hapsoro

<b>CHANG YOONG CHIA</b>'s <i>Battle</i>, 2022, batik sarong (Remazol dye on viscose cloth), 116 x 188 cm. Photo by dinndiran. Courtesy the artist and Teoh Wing Wah.

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Kuala Lumpur: With Feelers Out

Beverly Yong and Rachel Ng

Installation view of <b>MUNEM WASIF</b>'s

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Dhaka: An Interview with Munem Wasif

HG Masters

<b>RASHID RANA</b>'s <i>IT LIES BEYOND</i>, 2022, augmented reality and inkjet print on vinyl site-specific installation, 4.7 x 7.8 x 42.1 m, at the 3rd Karachi Biennale. Copyright

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Karachi & Lahore: Resolute Resilience

Quddus Mirza

Installation view of <b>AKI SASAMOTO</b>'s <i>Sink or Float</i>, 2022, mixed-media installation, dimensions variable, at

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New York: An Interview with Aki Sasamoto

Pamela Wong

<b>SAJJAD ABBAS</b>,<i> I Can See You</i>, 2013, print image with Arabic words on each side in stencil, 5 x 9 m. Courtesy the artist.

Issue

Festivals of 2022: Looking Beyond Repair

HG Masters

Installation view of <b>LOK CHITRAKAR</b>'s <i>Rakta Ganapati</i>, 2020, mineral pigment on cotton canvas, 188 x 163 cm, at Patan Museum, Kathmandu Triennale 2077, 2022. Courtesy t

Issue

Festivals of 2022

The Editors

Installation view of <b>DANE MITCHELL</b>'s <i>Post Hoc (Palm)</i>, 2019-22, cell-tower palm tree, steel, acrylic, plastic, antenna, solid state drive, audio player, horn speakers

Issue

Exhibitions of 2022: Parallel Realities

HG Masters

Installation view of <b>DANIEL BOYD</b>'s oil-on-canvas paintings (left) <i>Captain No Beard</i> (2005) and (right) <i>Sir No Beard</i> (2007), oil on canvas, 192 x 108 cm and 183.

Issue

Exhibitions of 2022

The Editors

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