Imported

Hang Ten

The Micro Initiator

The Tides of Time

(Am)bivalent Images

Decapitation

Rendered Reality

Between History and Hope

Detailed installation view of *TOBIAS KLEIN*’s _Augmented Landscape_, 2020, computers, VR headsets, nylon (white), 3D print (Selective Laser Sintering SLS), mini projectors, projec

Tobias Klein: “Metamorphosis or Confrontation” with Digital Craftsmanship

Installation view of *CHRIS CHEUNG HON HIM*’s _No Longer Write – Mochiji_, 2020, calligraphy, data and projection powered by artificial intelligence’s Generative Adversarial Networ

Sensorial Adventures in “Gen Y”

Installation view of *GARY SIMMONS*’s “Dancing in Darkness,” at Simon Lee Gallery, Hong Kong, 2020. All photos by Daniel Murray. All images courtesy Simon Lee Gallery, Hong Kong /

Racial Justice in Gary Simmons’s "Dancing In Darkness"

Installation view of JEFFREY SHAW’s The Golden Calf, 1994/2018, mixed-media installation, dimensions variable, at “WYSIWYG,” Osage Art Foundation, Hong Kong, 2019–20. Copyright and

WYSIWYG

I Know the Meaning of Revolution

A House Made of Songs

The Lines We Draw