Imported

A Promise

2O2O

Wheezing

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Installation view of “The Spaces Between the Words Are Almost Infinite,” Gallery Exit, Hong Kong, 2020. All images courtesy the artists and Gallery Exit.

A Lost City in “The Spaces Between the Words Are Almost Infinite”

Installation view of *JAMES TURRELL*’s (left) _Solon, Medium Rectangle Glass_, 2019, LED light, etched glass and shallow space, 142.2 x 185.4 cm: 2 hr 30 min; and (right) _Kakeroma

“Bloom of Joy”: Cleansing the Doors of Perception

Installation view of *REN SIHONG*’s “Enlightenment,” at Whitestone Gallery, Hong Kong, 2020. All images courtesy the artist and Whitestone Gallery, Tokyo / Taipei / Hong Kong / Nag

Ren Sihong’s Introspective Journey to “Enlightenment”

Installation view of “Tongueless,” at Goethe-Institut, Hong Kong, 2020. All images courtesy the artists and Goethe-Institut.

"Tongueless": Silent Struggles in Hong Kong

Installation view of *LOUIS NIXON*’s “Beyond Matter,” at 1a Space, Hong Kong, 2020. All images courtesy 1a Space.

Louis Nixon: Experimenting “Beyond Matter”

Detail of *SAULE DYUSSENBINA*’s _Floral Ornament II_, 2020, print, 50 x 50 cm. All images courtesy the artist and Sapar Contemporary, New York.

Alienated Bodies in “Emerging Voices: Stories from Isolation”

*HUNG HOI*, _Below the Victoria Peak, Hong Kong_, 2020, Chinese ink and color on rice paper, 29 x 42 cm. All images courtesy the artists and Alisan Fine Arts, Hong Kong.

Revivals of Chinese Traditions in “Uniquely Hong Kong – A Celebration of Hong Kong Art”

LIU XIAODONG, Twin Sisters 2020.4.7, 2020, watercolor on paper, 25 × 35.5 cm. Copyright the artist. Courtesy Lisson Gallery, New York / London / Shanghai.

Spring in New York

(Am)bivalent Images

Decapitation