Imported

CHOI SAI HO, Space Within Space, 2019, video with sound: 4 min 34 sec. Funded by Arts Council England. Courtesy the artist.

Aleatoric Art In "Peer To Peer: UK/HK Online Festival"

Installation view of *YONA LEE*’s _En route home_, 2020, stainless steel, objects, dimensions variable, at Yeongdo Harbor, Busan Biennale, 2020. All images courtesy Busan Biennale

Busan Biennale 2020: “Words at an Exhibition – an exhibition in ten chapters and five poems”

Photo of *LEUNG CHI WO* sitting on the bed in Room 2, at “Home and Nonhome,” Eaton Hotel, Hong Kong, 2020. All images courtesy Jockey Club New Arts Power, Hong Kong.

Refuge in Exile: Leung Chi Wo’s “Home and Nonhome”

Installation view of “disCONNECT HK,” in a tenement building at 16 Pak Sha Road, Causewaybay, Hong Kong, 2020. All photos by Daniel Murray Studio. All images courtesy Schoeni Proje

“DisCONNECT”: Loneliness in the Age of Covid-19

*WU QINGYUN*, _Haizhou_, 1892, ink and color on paper, 96 x 179 cm. All images courtesy Central Academy of Fine Arts (CAFA), Beijing.

Past, Present, and Future: “The Creation of Ancient Impression”

Installation view of *HILARIE HON*’s “Yesterday Brightness,” at Gallery Exit, Hong Kong, 2020. All images courtesy the artist and Gallery Exit.

The Sorrows of Emotional Detachment: Hilarie Hon’s “Yesterday Brightness”

Installation view of *VIRGINIA OVERTON*’s “Alone in the Wilderness,” at White Cube, Hong Kong, 2020. All images copyright the artist; courtesy the artist and White Cube, London / H

Relics of the American Century in Virginia Overton’s “Alone in the Wilderness”

Installation view of *LEE SEUNG JIO*’s “Advancing Columns,” at National Museum of Modern and Contemporary Art (MMCA), Gwacheon, 2020. Courtesy MMCA, Seoul / Gwacheon / Deoksugung /

Pillars of Modernity: Lee Seung Jio’s "Advancing Columns"

Building Blocks for the Future

96375

Fun for All

A Promise

In the Vanishing Wild

The Materiality of Memory