Imported

Living in the Edge

*WALASSE TING*, _A Kiss, A Kiss 10012_, 1973, acrylic and oil pastel on paper, 56.5 x 76 cm. All images courtesy the artists and Alisan Fine Arts, Hong Kong.

Walasse Ting & Sam Francis: Celebrating a Friendship

Installation view of *YI YUNYI*’s “A Son Older Than His Father,” Doosan Gallery, New York, 2021. Photo by Jiwon Choi. All images courtesy the artist and Doosan Gallery, Seoul / New

Yi Yunyi’s “A Son Older Than His Father”

Installation view of *GEORGETTE CHEN*’s “At Home in the World,” National Gallery Singapore (NGS), 2020–21. All images courtesy NGS.

Georgette Chen: An Uneasy Home in a Circumscribed World

Installation view of “Floating World,” at Perrotin, Hong Kong, 2020–21. Photo by Ringo Cheung. All images courtesy the artists and Perrotin, Paris / Hong Kong / New York / Seoul /

Transient Sensations of a “Floating World”

Installation view of *MIT JAI INN*’s “The King and I,” at TKG+, Taipei, 2020–21. All images courtesy the artist and TKG+.

The Energy of a Movement in Mit Jai Inn’s “The King and I”

*KRAY CHEN*, _Opera Green_, 2020, still from two-channel video: 36 min 30 sec. Courtesy the artist.

Kray Chen: "Hot Temple"

Installation view of *HOWIE TSUI*’s _Retainers of Anarchy_, 2017, five-channel algorithmic animation sequence, six-channel audio: 3.4 x 24.2 m, at “From swelling shadows, we draw o

Howie Tsui’s “From Swelling Shadows, We Draw Our Bows”

Screenshot of the virtual exhibition “Ding Li x Slime Machine,” 2020. All images courtesy the artists and MadeIn Gallery, Shanghai.

The Uncanny Realm of “Ding Li x Slime Engine”

Group photo of RUANGRUPA, from left to right: Reza Afisina, Indra Ameng, Farid Rakun, Daniella Fitria Praptono, Iswanto Hartono, Ajeng Nurul Aini, Ade Darmawan, Julia Sarisetiati,

Hanging Out, Sowing Seeds

Installation view of HO SIN TUNG’s “Swampland” at Hanart TZ Gallery, Hong Kong, 2020. Courtesy the artist.

Hit, Fall, Fail

Up Next: Ten Shows for 2021

Up Next: Ten Shows for 2021

BROOK ANDREW, This year, future leaving . . . , 2020, paper, wood, neon, acrylic, 56 x 70 x 9 cm. Courtesy the artist and Roslyn Oxley 9 Gallery, Sydney.

Interrupting the Program

Installation view of *LUC TUYMANS*'s “Good Luck” at David Zwirner, Hong Kong, 2020. All images copyright the artist; courtesy the artist and David Zwirner, Hong Kong / New York / L

Paradox and Uncertainty in Luc Tuymans's "Good Luck"