Imported

STEPHEN WONG CHUN HEI, The Islands of Kites, 2016, oil on canvas, 30 x 40 cm. Courtesy Gallery Exit, Hong Kong.

Daydream Travelogues

Installation view of

Alberto Giacometti Retrospective

NGUYEN GIA TRI, The Fairies, c. 1936, lacquer on board, 290 x 440 cm. Collection of Géraldine Galateau, Paris. Courtesy National Gallery Singapore.

Reframing Modernism: Painting from Southeast Asia, Europe and Beyond

Cover art of Boredoms’ 2007 album Super Roots 9. Courtesy EYヨ.

Teppei Kaneuji on Eyヨ

CHIHARU SHIOTA, The Key in the Hand, 2015, old keys, wooden boats and red wool, installation view from the Japan Pavilion at the 56th Venice Biennale, 2015. Photo by Sunhi Mang. Co

The Primacy of Matter

THE CLOSET (detail), 1997/2015, mixed-media installation, dimensions variable, installed at Salt Galata, Istanbul, 2015. Photo by Ali Erdemci.
Unless stated otherwise, all images c

Tragedy and Farce

OLAFUR ELIASSON, The Open Pyramid, 2016, Steel, aluminum, mirror foil, wood, paint and spotlight, dimensions variable. Installed at the Long Museum, Shanghai, 2016. Photo by Anders

Nothingness is not Nothing at All

BAKTASH SARANG JAVANBAKHT, Tower, 2015, Mixed media, 190 x 178 x 20 cm. Courtesy Total Arts at the Courtyard, Dubai.

Fearless: The Next Wave of Artists from Iran

ALEXIS TEPLIN, Arch (The Politics of Fragmentation), 2016, oil and pigment on linen paintings, and performances at Cockatoo Island. Courtesy the artist, Mary Mary Gallery, Glasgow,

The Future is already here – It’s just not evenly distributed