Imported

RAQS MEDIA COLLECTIVE, Perhaps (An Investigation Outside the Laws of Thought), 2016, steel sculpture, 2.3 x 2 m. Installation view at the Brayford Pool, Lincoln, England, 2016. Pho

Perhaps (An Investigation Outside the Laws of Thought)

Installation view of LIU WEI's

Radical Materiality

Installation view of “Gelatin Gelitin Gelintin” at Galerie Perrotin, Hong Kong, 2016. Courtesy Galerie Perrotin.

Gelatin Gelitin Gelintin

Installation view of Tetsuo Mizù's solo exhibition at Whitestone Gallery, Hong Kong, 2016. Courtesy Whitestone Gallery.

Tetsuo Mizù

LAM TUNG PANG, Past Continuous Tense, 2011, charcoal, image-transfer and acrylic on plywood, 244 x 1560 x 5 cm. Installation view of

Planting Time

CHOU YU-CHENG, Chemical Gilding, Keep Calm, Galvanise, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Lig

Chemical Gilding, Keep Calm, Galvanise, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light. II

LIU CHUANG, Love Story No. 8, 2006–14, old books, dimensions variable. Courtesy the artist.

That Has Been, and May Be Again

QIN FENG, Desire Scenery No. 051, 2014, acrylic on silk cotton paper, 153.4 x 178 cm. Courtesy Ben Brown Fine Arts, Hong Kong.

Portraits and Desire

S. TEDDY DARMAWAN, Ink on My Face #4252, 2014, ink on paper, 152 x 90 cm. Courtesy Sin Sin Fine Art, Hong Kong.

S. Teddy Darmawan: A Tribute

ULLA VON BRANDENBURG, Eigenschatten I–VI (Own Shadow I–VI), 2013 mixed media, dimensions variable. Installation view of

It has a Golden Yellow Sun and an Elderly Grey Moon

TALA MADANI, Projections, 2015, oil on linen, 203 x 250 x 4.8 cm. Photo by Josh White. Courtesy the artist, David Kordansky Gallery, Los Angeles, and Pilar Corrias Gallery, London.

First Light

Installation view of KEN AND JULIA YONETANI's The Last Supper (2014), made from Murray River Salt, for their show

The Great Exhibition

KENZEE PATTERSON, The bare wall, the blank page, the empty screen, 2014, acrylic paint on clear acrylic, two pieces: 1.1 cm diameter each. Courtesy Darren Knight Gallery, Sydney.

Constant Negative

Installation view of BAE BIEN-U’s “分合 PART: MEET” at Axel Vervoordt Gallery, Hong Kong, 2016. Courtesy Axel Vervoordt Gallery.

分合 PART: MEET